Three
major essays on the life and work of John Cassavetes:
Click
here for best printing of text
Ray
Carney, "Waking Up in the Dark: Learning from John Cassavetes," program
essay for the 1989 United States Film Festival (the precursor to
the Sundance Film Festival), the Sundance Institute, Park City, Utah,
January 1989; reprinted in The Alaska Quarterly Review, vol. 8, no.
3-4 (Spring-Summer 1990), pp. 123-33.
Ray Carney, "John Cassavetes on Life and Art," Visions Magazine (Boston
Center for the Arts), Number 7, Summer 1992, pp. 22-29
 Ray
Carney, "Love's Dreams: Love Streams and the
Films of John Cassavetes," Persistence of Vision (City University
of New York) No. 6 (Summer 1988), pp. 41-66.
These
essays and many others are not for sale in any store but are specially
available through this web site in the following packet: Collected
Essays on the Life and Work of John Cassavetes (a packet of
essays by Ray Carney previously published in magazines, newspapers,
and periodicals
and now
unavailable). Approximately 130 pages. $15.
A loose-leaf bound packet
of Ray Carney's writings on John Cassavetes is specially available
only through this web site. The packet has the
complete texts of program notes and essays about Cassavetes that were
published by Ray Carney in a variety of film journals and general interest
periodicals between 1989 and the present. It contains more than fifteen
separate pieces – including the keynote essay commissioned by
the Sundance Film Festival for their retrospective of Cassavetes' work
at the time
of his death as well as the memorial piece on Cassavetes awarded a
prize by The Kenyon Review as "one of the best essays
of the year by a younger author." Available exclusively on this
web site for $15.00 under the same credit payment terms or at the same
mailing address
as the other offers below.
Other writing by Ray Carney about John Cassavetes' life and work
Ray Carney, Cassavetes
on Cassavetes (Faber and Faber in London, and Farrar, Straus
and Giroux in New York), copiously illustrated, paperback, approximately
550 pages. Available directly from the author for $25.
 Cassavetes
on Cassavetes is the autobiography John Cassavetes never lived
to write. It tells an extraordinary saga – thirty years of film history, chronicling
the rise of the American independent movement – as it was lived by
one of its pioneers and one of the most important
artists in the history of the medium. The struggles, the triumphs,
the crazy dreams and frustrations are all here, told in Cassavetes'
own words. Cassavetes on Cassavetes tells the day-by-day
story of the making of some of the greatest and most original works
of American film. —from the "Introduction:
John Cassavetes in His Own Words"
Click
here to access a detailed description of the book and a summary
of the topics covered in it.
* * *
Cassavetes on Cassavetes is
available in the United States through Amazon and Barnes
and Noble, and in England through Amazon (UK), Faber
and Faber (UK). It is also available at your local bookseller,
or, for a limited time, directly from the author (in discounted, specially
autographed editions) for $25 via this web site. See
below for information how to order this book directly from this web
site by money order, check, or credit card (using PayPal).
* * *
Ray Carney, The Films
of John Cassavetes: Pragmatism, Modernism, and the Movies
(New York and Cambridge: Cambridge University Press, 1994), 48 illustrations,
paperback, 322 pages. This book is available directly from the author for $20.
The Films of John Cassavetes tells the inside story of the making
of six of Cassavetes' most important works: Shadows, Faces, Minnie
and Moskowitz, A Woman under the Influence, The Killing of
a Chinese Bookie, and Love Streams.
With the help of almost fifty
previously unpublished photographs from the private collections of
Sam Shaw and Larry Shaw, and excerpts from interviews with the filmmaker
and many of his closest friends, the reader is taken behind the scenes
to watch the maverick independent at work: writing his scripts, rehearsing
his actors, blocking their movements, shooting his scenes, and editing
them. Through words and pictures, Cassavetes is shown to have been
a deeply thoughtful and self-aware artist and a profound commentator.
This iconoclastic, interdisciplinary
study challenges many accepted notions in film history and aesthetics.  Ray
Carney argues that Cassavetes' films participate in a previously unrecognized
form of pragmatic American modernism that, in its ebullient affirmation
of life, not only goes against the world-weariness and despair of many
twentieth-century works of art, but also places his works at odds with
the assumptions and methods of most contemporary film criticism.
Cassavetes' films are provocatively
linked to the philosophical writing of Ralph Waldo Emerson, William
James, and John Dewy, both as an illustration of the artistic consequences
of a pragmatic aesthetic and as an example of the challenges and rewards
of a life lived pragmatically. Cassavetes' work is shown to reveal
stimulating new ways of knowing, feeling, and being in the world.
This book is available through Amazon, Barnes
and Noble, your local bookseller, or, for a limited time, directly from
the author (in discounted, specially autographed editions). See
below for information how to order this book directly from the author by money
order, check, or credit card.
Clicking on the above links
will open a new window in your browser. You may return to this page
by closing that window or by clicking on the window for this page again.
* * *
For reviews and critical responses
to The Films of John Cassavetes, please click
here. (Use your back button to return.)
* * *
Ray Carney, John Cassavetes:
The Adventure of Insecurity
(Boston: Company C Publishing, 1999), 25 illustrations, paperback, 68 pages.
This book is available directly from the author for $15.
 |
-
New
essays on all of the major films, including Shadows, Faces, Husbands, Minnie
and Moskowitz, A Woman Under the Influence, The
Killing of a Chinese Bookie, Opening Night, and Love
Streams
-
New,
previously unknown information about Cassavetes' life and
working methods
-
A
new, previously unpublished interview with Ray Carney about
Cassavetes the person
-
Statements
about life and art by Cassavetes
-
Handsomely
illustrated with more than two dozen behind-the-scenes photographs
Click
here to access a detailed description of the book.
|
 This
book is available through Amazon, Barnes
and Noble, your local bookseller, or, for a limited time, directly
from the author (in discounted, specially autographed editions). See
below for information how to order this book directly from the author
by money order, check, or credit card.
Clicking on the above links
will open a new window in your browser. You may return to this page
by closing that window or by clicking on the window for this page again.
* * *
Ray Carney, Shadows (BFI
Film Classics, ISBN: 0-85170-835-8), 88
pages. This book is available directly from the author via
this web site for $20.
"Ray Carney is a tireless
researcher who probably knows more about the shooting of Shadows than
any other living being, including Cassavetes when he was alive, since
Carney, after all, has the added input of ten or more of the film’s
participants who remember their own unique versions of the reality
we all shared."—Maurice
McEndree, producer and editor of Shadows
"Bravo! Cassavetes is fortunate to have such a diligent champion. I am absolutely dumbfounded by the depth of your research into this film.... Your appendix...is a definitive piece of scholarly detective work.... The Robert Aurthur revelation is another bombshell and only leaves me wanting to know more.... The book movingly captures the excitement and dynamic Cassavetes discovered in filmmaking; and the perseverance and struggle of getting it up there on the screen."—Tom Charity, Film Editor, Time Out magazine
John Cassavetes’ Shadows is
generally regarded as the start of the independent feature movement
in America. Made for $40,000 with a nonprofessional cast and crew and
borrowed equipment, the film caused a sensation on its London release
in 1960.
The film traces the lives
of three siblings in an African-American family: Hugh, a struggling
jazz singer, attempting to obtain a job and hold onto his dignity;
Ben, a Beat drifter who goes from one fight and girlfriend to another;
and Lelia, who has a brief love affair with a white boy who turns on
her when he discovers her race. In a delicate, semi-comic drama of
self-discovery, the main characters are forced to explore who they
are and what really matters in their lives.
Shadows ends with the
title card "The film you have just seen was an improvisation," and
for decades was hailed as a masterpiece of spontaneity, but shortly
before Cassavetes’ death, he confessed to Ray Carney something
he had never before revealed – that much of the film was scripted.
He told him that it was shot twice and that the scenes in the second
version were written by him and Robert Alan Aurthur, a professional
Hollywood screenwriter. For Carney, it was Cassavetes‘ Rosebud.
He spent ten years tracking down the surviving members of the cast
and crew, and piecing together the true story of the making of the
film.
Carney takes the reader behind
the scenes to follow every step in the making of the movie – chronicling
the hopes and dreams, the struggles and frustrations, and the ultimate
triumph of the collaboration that resulted in one of the seminal masterworks
of American independent filmmaking.
Highlights of the presentation
are more than 30 illustrations (including the only existing photographs
of the dramatic workshop Cassavetes ran in the late fifties and of
the stage on which much of Shadows was shot, and a still showing
a scene from the "lost" first version of the film); and statements
by many of the film's actors and crew members detailing previously
unknown events during its creation.
One of the most interesting and original aspects of the book is a nine-page Appendix that "reconstructs" much of the lost first version of the film for the first time. The
Appendix points out more than 100 previously unrecognized differences
between the 1957 and 1959 shoots, all of which are identified in detail
both by the scene and the time at which they occur in the current print
of the movie (so that they may be easily located on videotape or DVD
by anyone viewing the film).
By comparing the two versions,
the Appendix allows the reader to eavesdrop on Cassavetes' process
of revision and watch his mind at work as he re-thought, re-shot, re-edited
his movie. None of this information, which Carney spent more than five
years compiling, has ever appeared in print before (and, as the presentation
reveals, the few studies that have attempted to deal with this issue
prior to this are proved to have been completely mistaken in their
assumptions). The comparison of the versions and the treatment of Cassavetes'
revisionary process is definitive and final, for all time.
This book is
available through University
of California Press at Berkeley, Amazon, Barnes
and Noble, and in England through Amazon (UK)
and The
British Film Institute. For a limited time, the Shadows book
is also available directly from the author (in discounted, specially
autographed editions) via this web site. See
information below on how to order this book directly from the author
by money order, check, or credit card (PayPal). 
Clicking on the
above links will open a new window in your browser. You may return
to this page by closing that window or by clicking on the window for
this page again.
For reviews and
critical responses to Ray Carney's book on the making of Shadows,
please click
here.
Ray Carney, American
Dreaming: The Films of John Cassavetes and the American Experience (Berkeley: University of California Press, 1985). $20.
[From the original
dust jacket description:] John Cassavetes is known to millions of filmgoers
as an actor who has appeared in Rosemary’s Baby, The
Dirty Dozen, Whose Life Is It, Anyway?, Tempest,
and many other Hollywood movies. But what is less known is that Cassavetes
acts in these films chiefly in order to finance his own unique independent
productions. Over the past 25 years, working almost entirely outside
the Hollywood establishment, Cassavetes has written, directed, and
produced ten extraordinary films. They range from romantic comedies
like Shadows and Minnie and Moskowitz to powerful,
poignant domestic dramas like Faces and A Woman Under
the Influence to unclassifiable emotional extravaganzas like Husbands, The  Killing
of a Chinese Bookie, and Gloria.
This is the first
book-length study ever devoted to this controversial and iconoclastic
filmmaker. It is the argument of American Dreaming that Cassavetes
has single-handedly produced the most stunningly original and important
body of work in contemporary film. Raymond Carney examines Cassavetes’ life
and work in detail, traces his break with Hollywood, and analyzes the
cultural and bureaucratic forces that drove him to embark on his maverick
career. Cassavetes work is considered in the context of other twentieth-century
forms of traditional and avant-garde expression and is provocatively
contrasted with the better-known work of other American and European
filmmakers.
The portrait
of John Cassavetes that emerges in these pages is of an inspiringly
idealistic American dreamer attempting to beat the system and keep
alive his dream of personal freedom and individual expression – just
as the characters in the films excitingly try to keep alive their middle-class
dreams of love, freedom, and self-expression in the hostile emotional
and familial environments in which they function. His films are chronicles
of the yearnings, desires, and frustrations of the American dream.
He is America’s truest historian of the inevitable conflict between the ideals and the realities of the American experience.
"By
far the most thorough, ambitious, and far-reaching criticism of Cassavetes'
work has been accomplished by Raymond Carney, currently Professor of
Film and American Studies at Boston University. Carney wrote the first
book-length study of  Cassavetes, who languished in critical obscurity
until the publication of Carney's American Dreaming in 1985....
In Carney's view, to settle the accounts of our lives, to decide once
and for all, is, for Cassavetes, to tumble headlong into the abyss
of nonentity upon which we incessantly verge. Carney argues that Cassavetes
has re-invented the craft of filmmaking in ways that drastically alter
our casual habits of film viewing. To adapt William James' terminology
(which Carney is indebted to) Cassavetes' works are concerned less
with the events and finished episodes that make up the 'substantive' parts
of our experience and more with the moments of insecurity, the 'transitive' slippages
during which our habitual strategies for understanding and stabilizing
our relationships with ourselves and others cease to function in any
useful way.... Carney's work with Cassavetes, placed within the context
of his later book, American Vision, on Frank Capra, can be viewed as
an attempt not only to further the understanding of American film,
but to forge a new synthesis of understanding in American Studies,
making his critical works valuable not only to film scholars, but to
students of American culture generally." — Lucio
Benedetto, PostScript Magazine
American
Dreaming: The Films of John Cassavetes and the American Experience (Berkeley,
California: University of California Press, 1985), the first book
ever written about Cassavetes' life and work, in any language.
It has long been out of print but is now newly available through
this web site for $20 in a Xerox of the original edition. You
may order with a credit card through PayPal or through the mail
with a money order. See below.
***
In addition,
two packets of Ray Carney's writings on John Cassavetes (material
not included in any of the above books) are also specially available
through this web site. These packets contain the texts of many of
his notes and essays about the filmmaker. Each packet is available
for $15.00.
Collected
Essays on the Life and Work of John Cassavetes (a packet of
essays by Ray Carney previously published in magazines, newspapers,
and periodicals and now unavailable). Approximately 130 pages. A loose-leaf
bound packet of Ray Carney's writings on John Cassavetes is specially
available only through this web site. The packet has the complete texts
of program notes and essays about Cassavetes that were published by
Ray Carney in a variety of film journals and general interest periodicals
between 1989 and the present. It contains more than fifteen separate
pieces – including the keynote essay commissioned by the Sundance
Film Festival for their retrospective of Cassavetes' work at the time
of his death as well as the memorial piece on Cassavetes awarded a
prize by The Kenyon Review as "one of the best essays of the
year by a younger author."
This packet also
contains the text Ray Carney contributed to the "Special John
Cassavetes Issue" of PostScript edited
by Ray Carney, including "A Polemical Introduction: The Road Not
Taken," "Seven Program Notes from the American Tour of the
Complete Films: Faces, Minnie and Moskowitz, Woman
Under the Influence,
The Killing of a Chinese Bookie, and Love Streams." The Collected
Essays on the Life and Work of John Cassavetes is not for
sale in any store, and available exclusively on this web site for $15.00
under the same credit payment terms or at the same mailing address
as the other offers. 
***
"Special
Issue: John Cassavetes." PostScript: Essays in Film and
the Humanities Vol. 11 Number 2 (Winter 1992). Guest editor:
Ray Carney $10.
Handsomely illustrated.
113 double-column pages (50,000 words).
A memorial
tribute to the life and work of John Cassavetes. Essays by Ray
Carney, George Kouvaros, Janice Zwierzynski, and Carole Zucker.
Interviews with Al Ruban and Seymour Cassel by Maria Viera. A
history of the critical appreciation of Cassavetes' work and
a bibliography of writing in English by Lucio Benedetto. The
issue is illustrated with more than 40 behind-the-scenes photos
of Cassavetes and his actors and contains many personal statements
by him about his life and work.
This issue
includes eight essays by Ray Carney about Cassavetes' life and
work: "A Polemical Introduction: The Road Not Taken," and "Seven
Program Notes from the American Tour of the Complete Films, about Faces, Minnie
and Moskowitz, Woman Under the Influence, The
Killing of a Chinese Bookie, and Love Streams." But
note that Ray Carney's contributions to the special Cassavetes
issue of PostScript magazine are also available as part
of the packet, The Collected Essays on the Life and Work
of John Cassavetes, which contains many other pieces by
Prof. Carney as well. The Collected Essays packet is listed separately
above at a price of $15. But if you would like a Xerox copy of
the entire PostScript magazine issue (which includes
the other additional material by the other authors listed above),
the PostScript issue is available separately for $10.
You may order it with a credit card through PayPal or through
the mail with a money order. See the instructions below.
***
In addition,
a packet comparing the two versions of Shadows is available: A
Detective Story – Going Inside the Heart and Mind of the Artist:
A Study of Cassavetes' Revisionary Process in the Two Versions of
Shadows.
Available direct from the author through this site for $15.
This packet contains the following
material (most of which was not included in the BFI Shadows book):
- An introductory essay about
the two versions of the film
- A table noting the minute-by-minute,
shot-by-shot differences in the two prints. (In the British Film
Institute book on Shadows, this table appears in a highly
abridged, edited version, at less than half the length and detail
presented here.)
- A conjectural reconstruction
of the shot sequence in the 1957 print
- A shot list for the 1959
re-shoot of the film
- The credits exactly as
presented in the film (including typographical and orthographical
vagaries indicating Cassavetes' view of the importance of various
contributors)
- An expanded and corrected credit listing that includes previous uncredited actors and appearances (e.g. Cassavetes in a dancing sequence; Gena Rowlands in a chorus girl sequence; and Danny Simon and Gene Shepherd in the nightclub sequence)
- Notes about the running
times of both versions and information about dates and places of
early screenings
- A bibliography of suggested
additional reading (including a note about serious mistakes in previous
treatments of the film by other authors)
Very little
of this material was included in the BFI book on Shadows due
to limitations on space. This 85-page (25,000 word) packet is not for
sale in any store and is available exclusively through this site for
$15.
***
The five books, two packets,
and issue of PostScript magazine may be obtained directly from the author, by using the Pay
Pal Credit Card button below, or by sending a check or money order
to the address below. However you order the book or books, please provide
the following information:
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are ordering
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an inscription or autograph on the inside front cover
Checks or money orders may
be mailed to:
Ray Carney
Special Book Offer
College of Communication
640 Commonwealth Avenue
Boston University
Boston, MA 02215
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