of Ray Carney's life and work follows. To buy any of the books or articles
mentioned, please go to the Bookstore section of the site by clicking
|Ray Carney at the Rotterdam Film Festival
Photo by Anke Teunlssen (Amsterdam) / January 2004
Department of Film and Television
College of Communication
640 Commonwealth Avenue
Boston, MA 02215
|Ray Carney at the Sydney Film Festival
CARNEY received his A.B. from Harvard magna cum laude and his
Ph.D. from Rutgers (where
his dissertation -- on William Wordsworth's process of poetic composition in The Prelude, The Ruined Cottage, and The Lyrical Ballads -- was supervised by William Keach and read by Richard Poirier and Thomas Edwards) passing his oral
examination (conducted by Richard Poirier, Paul Fussell, and David
Distinction." He also did separate periods of study with Philip Kapleau in Rochester, New York and Walter Nowick in Surrey, Maine. He has been an Assistant Professor of English in
the English Department of Middlebury College (teaching English and American
literature), William Rice Kimball Fellow at the Stanford University Humanities
Center (working on a project on
performance art and the intellectual background of the stand-up comedy
routines of Lenny Bruce, Jonathan Winters, and Richard Pryor among other
figures), and Associate Professor in the Humanities Program of the University
of Texas (teaching interdisciplinary American studies, focusing on the
relationship of nineteenth- and twentieth-century American art and philosophy).
At Boston University he is Professor of Film and American Studies. For approximately ten years, he served as Director of the graduate and undergraduate Film Studies Programs and Chair of graduate admissions in Film Studies. He resigned in the summer of 2005. Click
here to go to a description of the program during his tenure as Director.
|To read an account of the motion to censure Prof. Carney and to attempt to force him to take his web site down, click here.
He teaches courses on American
film, literature, and art (including painting, dance, drama, and philosophy);
European art film; acting; and the relation
of film and the other arts. Click
here to see the syllabi used in some
of Prof. Carney's film, literature, and other arts courses.
is generally acknowledged to be the world's leading scholarly authority
on American independent
film and American art film. He has written extensively about the "off-Hollywood"
movement, lectured at American and European film festivals and special
events, and been interviewed about American independent filmmaking throughout
the world. Professor Carney has appeared on radio and television in Europe,
Asia, America, and Australia, and his books and essays have been translated
into French, Spanish, Portuguese, Greek, German, Italian, Danish, Hungarian,
Austrian, Korean, and Japanese. He has lectured on or moderated panel
discussions about independent film at more than one hundred special events
or screenings, speaking directly to more than forty thousand people in
Europe, Canada, Australia, and the United States. Click
here to go to
the Independent Film Pages and read selections from Prof. Carney's lectures,
interviews, and writing about independent film.
He is an expert on the life
and work of John Cassavetes. He knew the filmmaker personally and wrote
the first book ever devoted to his life and work. His books about Cassavetes
include: American Dreaming: The Films of John
Cassavetes and the
American Experience (University of California Press, 1985), The
Films of John Cassavetes: Pragmatism, Modernism, and the Movies (Cambridge
University Press, 1994), John Cassavetes: The Adventure of Insecurity
(Company C, 2000), Cassavetes on Cassavetes (Faber and Faber/Farrar,
Straus and Giroux, 2001), the BFI Film Classics volume on Shadows
(British Film Institute Publishing, 2001), and A
Detective Story – Going Inside the Heart and Mind of the Artist: A Study of Cassavetes' Revisionary
Process in the Two Versions of Shadows, which greatly revises and
expands the material printed in the BFI volume. He also edited a coffee
table picture book devoted to Cassavetes in French: John CassavetesAutoportraits
(Paris: Editions de l'Etoile/Cahiers du cinema, 1992), and a study of
the films in Japanese: John Cassavetes: Men and Women in Love (Tokyo:
Keiso-Shobo, 1997). Neither of these last two books has yet been published
in English. He guest-edited and contributed extensively to the "John
Cassavetes Special Issue" published by Post-Script magazine
in 1992, and contributed to Film Comment's posthumous tribute to
Cassavetes in 1989. His memorial essay on the filmmaker, "The Adventure
of Insecurity: The Life and Work of John Cassavetes" was named co-recipient
of the prize for "best essay of the year by a younger scholar"
by The Kenyon Review in 1990. Click
here to go to the John Cassavetes Pages and read selections from Prof. Carney's
interviews and writing about Cassavetes.
To mention two books that have not yet been published: Prof. Carney is currently completing two biographical studies that will revolutionize the understanding of Cassavetes' films and working methods: John Cassavetes on Art and Life and John Cassavetes: What is Art?, a critical/intellectual biography exploring the relation of Cassavetes' art and life. Click here to read a brief statement about the intellectual biography, if you are interested.
opinion of Xan Cassavetes, John Cassavetes' daughter and
the director of Z Channel and other works, about Ray
Carney's Cassavetes on Cassavetes, as relayed to Carney
by a friend in Los Angeles (stars indicate omitted personal
am still in LA, working on *** , which is coming along. Real
progress. This evening saw Z CHANNEL, a new documentary
by Xan Cassavetes. *** I spoke with her after the screening.
I thought you might like to know that she absolutely loves CASS
ON CASS. Says she sleeps with it. Says it's enabled her
to have conversations with her father she never had."
In 1989, he curated festivals
and moderated panel discussions about Cassavetes' work for the French-American
Film Workshop in Avignon and the Cinematheque Francaise in Paris. In
and 1990, in collaboration with the Walker Art Center and the Pacific
Film Archive and University Art Museum at Berkeley, he presented the
American tour of Cassavetes' films (the first time the complete films
were ever shown in a single program, not counting Prof. Carney's own
screenings of the works), wrote the souvenir program and individual screening
notes for each film in the tour, and introduced the films, lectured,
organized and led panel discussions at the various screening sites featuring
Cassavetes' friends and collaborators (Elaine May, Peter Falk, Seymour
Cassel, Al Ruban, Ben Gazzara, Jonas Mekas, Ted Allan, Sam Shaw, and
In 1994, he hosted a reunion of the cast and crew of Shadows (including
Lelia Goldoni, Hugh Hurd, Maurice McEndree, George O'Halloran, and
for a special screening and panel discussion of the Beat Film Festival
at New York University. In 1997, he organized and presented "Love
on the Edge," the six film touring retrospective sponsored by
Miramax, wrote the souvenir program to accompany the screenings,
in the celebrity panel discussion at the Paris Theater in New York
(featuring Peter Bogdanovich, Sam Shaw, Al Ruban, and others).
|Photo of Ray Carney by Randy Walker, 2007
1999, he presented "An Evening with John Cassavetes" for the Danish Film House
in Copenhagen, Denmark and toured Australia as a representative of the
U.S. Department of State and a guest of the Sydney and Melbourne Film
Festivals, speaking to more than ten thousand people in Sydney, Canberra,
and Melbourne about Cassavetes' work and American independent film. In
2000-2001 he toured a number of film archives presenting a video show
titled "The Unknown John Cassavetes," screening unreleased,
unknown, and otherwise unavailable films and videotapes from his private
collection showing Cassavetes acting, rehearsing actors, and talking
his work. In November 2001, he conducted a one hour on-stage interview
with Gena Rowlands in front of 1000 people as the opening night event
for the Virginia Film Festival and participated in a six-day retrospective
of her work which she attended and introduced. In January 2003, he
conducted the first East Coast screening of the restored UCLA print of Shadows at the Coolidge Corner theater in Boston, and conducted an on-stage interview
with Tony Ray about the making of the film to a standing-room-only,
Prof. Carney has also advised or curated screenings at a number of major arts institutions, museums, and film archives in America and Europe. He recently advised and provided otherwise unavailable, unpublished Cassavetes script material to Ivo van Hove and Toneelgroep Amsterdam (the Dutch National Theater Company) for planned future dramatic adaptations of John Cassavetes' films to the stage. He also recently hosted a screening of Mark Rappaport's work in Salzburg, Austria and participated in a conference there devoted to the two hundred and fiftieth anniversary of Mozart's birth, presenting a paper there on Rappaport's Mozart in Love. (Click here to read the program notes he wrote for the video release of Mark Rappaport's work, which he helped to make possible.) Prof. Carney also holds the largest private archive in the world of Rappaport's "raw material" (drafts, notes, scripts, film elements, prints, videos, and other material). The material was given to Prof. Carney by the filmmaker. (Click here for more information.)
Prof. Carney has also advised, curated, and introduced major screenings at and film programs for the Harvard University Film Archive. The two most recent events were eleven days of screenings in the summer of 2007 devoted to showcasing the work of "emerging or undiscovered new talents" in American independent film. More than fifteen writers, directors, producers, and others associated with these new or unreleased works were present at the events and conducted extended discussions with the audience. Click here to read the program notes and the lists of titles and visiting directors. The second event occurred in November 2007, when Prof. Carney helped to organize and host the world premiere screening of Rob Nilsson's entire nine-film 9@Night series of interconnected works (almost 15 hours of film in all) at the Harvard Film Archive. Prof. Carney curated and introduced various screenings, at which Nilsson and others associated with the films were present and conducted question-and-answer sessions and lengthy discussions with the audience. Click here to read the program note and list of titles for the Nilsson events.
opinion of Harmony Korine, writer-director of Kids, Gummo, Julian
Donkey-Boy about Ray Carney's Cassavetes on Cassavetes:
BEST FILM BOOK EVER WRITTEN."
Carney has also made a name for himself as the discoverer, presenter,
and popularizer of dozens of new, unknown, or lost works of art. There
are too many instances to cite more than a few representative examples.
As a graduate student, he discovered a previously unknown source for
the first five books of William Wordsworth's poetic masterpiece, The
Prelude in Reverend Joseph Simpson's Science Revived,
Vision of Alfred, a forgotten Augustan epic. When he curated the
Beat show for the Whitney Museum of American Art, Prof. Carney discovered
screened a major new work that had not been seen in more than forty
years: Frank Paine's Motion Picture, a film which had never
been written about before. (Click here for more information about that
has discovered, introduced early screenings of, or brought to public
attention previously unknown or neglected works by many American independent
filmmakers, works which are now recognized and appreciated because
of his championing of them – including films by Morris Engel,
Lionel Rogosin, John Korty, Barbara Loden, Robert Kramer, Gordon Erikson,
Charles Burnett, Mark Rappaport, and Caveh Zahedi.
Prof. Carney's writing on
John Cassavetes, particularly in his Cassavetes on Cassavetes and Shadows books
information about the first book and here for
information about the second) has brought to
light hundreds of previously unknown facts and events about the life
of the filmmaker and completely changed the understanding of the production
history of his work. Prof. Carney is the first writer to have told the
complete behind-the-scenes stories of the making of all of Cassavetes'
films. His greatest intellectual coup was to recount the previously unknown
story of the production history of the two versions of Shadows.
To the surprise of the world, he revealed that—in direct contradiction
statement that ends the film about its being "improvised"—Cassavetes
employed screenwriter Robert Alan Aurthur to "story doctor" the
second version and write a series of scenes to be inserted into the movie.
Many of these facts were revealed to Carney by Cassavetes himself in
a "Rosebud" conversation shortly before his death as well as
through interviews with the actors and crew members of the various works
in the final years of their lives.
the assistance of the Museum of Television and Radio and, in many cases,
in collaboration with Jane Klain, Manager of Research Services, Prof.
Carney has also discovered and revived many unknown or forgotten early
television works in which Cassavetes appeared, including his virtuosic
one-man performance piece on Quest's Flip Side (which was never
broadcast in U.S.), his acting and directing work in Johnny Staccato
(including the remarkable Double Feature episode where Cassavetes
plays two roles at once) and The Lloyd Bridges Show, his zany,
over-the-top performance in S. Lee Pogostin's "Free of Charge,"
and his acting in many other otherwise lost or forgotten television series
like Burke's Law, Bob Hope Presents the Chrysler Theater,
and Columbo. Prof. Carney has organized and presented the first
public screenings of many of these works in recent years as well as screenings
of other works by Cassavetes that have never been broadcast on television
or released in theaters. For film festivals and archives, he has put together
a screening event of his favorite pieces, which he calls "The Unknown
John Cassavetes," and which has drawn rave reviews and standing-room-only
here to learn about an upcoming series of screenings of some of these
works curated by Allen Glover at the Museum of Television and Radio. And
here to read more of Prof. Carney's discussion of Cassavetes' acting
work in television and film and some of the screening events Prof. Carney
has personally organized and presented.) The revised edition of his Cassavetes
on Cassavetes has the most complete discussion of Cassavetes' television
work ever assembled. (Click
here to find out how to obtain this book.)
Most recently, Ray Carney
made two of the most important film discoveries of the past one hundred
years. He located one of the long prints of Cassavetes' Faces and
two years later, after seventeen years of searching, in November 2003
the legendary lost first version of Cassavetes' Shadows, a
completely different film from the known version – in effect
adding a new first
film to Cassavetes' body of work and an important new work to the canon
of American independent film. In January 2004, he unveiled the discovery
at two standing-room only screenings at the Rotterdam International
Film Festival in the Netherlands. The screenings attracted critics,
reviewers, and scholars from around the world, and the discovery has
been written up in more than 100 newspapers and magazines from Japan
to Italy to the U.K. (although very little has been written about it
in the U.S. where Hollywood values and interests prevail even in so-called
serious cinematic writing). Prof. Carney has been besieged with requests
to show the print in England, Europe, Asia, and the Far East. As part
of the announcement of the discovery, he published a long piece in
the London Guardian describing the quest and was interviewed by more
than 20 European publications. For more information about each of these
major cinematic discoveries, click on this
link for Faces and this
link for Shadows.
Carney recently made yet another major Cassavetes cinematic discovery
that is still under wraps. It will be announced to
the world in a few months. (You read it here first. This is the only
notice that is being published anywhere – your reward for reading
this page! Stay tuned for more information when it is released. It will appear here. Click here to read a bit more information connected with this subject.)
Professor Carney has published a number of other books
on art, film, criticism, and culture. They include The Films of Mike
Leigh: Embracing the World (Cambridge University Press, 2000). Click
here to read about it. American Vision: The Films of Frank Capra (Wesleyan
University Press, 1996). Click
here to read about it. Speaking the
Language of Desire: The Films of Carl Dreyer (Cambridge University Press, 1989).
here to read about it.
He has also written: Why
Art Matters: A collection of essays, interviews, and lectures on
life and art; Necessary Experiences – What art can
show us about ourselves and our culture; and What's Wrong
with Film Courses, Film Criticism, and Film Reviewing – And
How to Do It Right.
Click here and here to read excerpts from those books.
He has also published general-interest
critical and cultural pieces in a variety of national magazines and
including The New Republic, Partisan Review, The Georgia
Review, The Chicago Review, Raritan Review, The
Boston Phoenix, The London Times, and Film Comment.
Interviews with him have appeared in many national and international
including: Switch (Tokyo), Visions (Boston), The Christian
Science Monitor, and The Baffler (Chicago). He has written
about independent film and the "boutiquing" of the independent
movement for MovieMaker magazine for more than ten years, contributing
the two-part "Fake Independents and Reel Truth," the three-part "The
Path of the Artist," and the two-part "Art, Life, Hollywood,
Independent Film, Critics, Professors, and How to Make a Fortune in Real
Estate." Click here and here to
read excerpts from these pieces.
For more than a decade, Professor Carney served as the General Editor for The Cambridge Film Classics series, published by Cambridge University Press. Prof. Carney commissioned, edited, and published individual volumes on a wide range of American and international filmmakers, including Joseph Losey, Woody Alllen, Alfred Hitchcock, John Cassavetes, Paul Morrissey, Vincente Minnelli, Orson Welles, Roberto Rossellini, Jean-Luc Godard, D.W. Griffith, Peter Greenaway, Wim Wenders, Mike Leigh, Federico Fellini, Michaelangelo Antonioni, and other figures and movements (including a volume devoted to avant-garde film), in "new auteurist" studies authored by many of the most important comtemporary film scholars and cultural critics, including Peter Bondanella, Sam Girgus, Amy Lawrence, Robert Kolker, Scott Simmon, David Sterritt, James Naremore, Leonard Quart, Robert Garis, Maurice Yacowar, Peter Brunette, Scott MacDonald, and others.
Prof. Carney was a scholarly advisor for and appeared on camera in The American Cinema, the ten-part television series broadcast on PBS in
the spring of 1995 and rebroadcast several subsequent times. He co-curated
and contributed three essays to the catalogue of the Whitney Museum's
Beat Culture and the New America 1950-1965, show that opened in
New York in 1995 and traveled to Minneapolis and San Francisco in 1996.
here to read excerpts from the catalogue.
He has served as a consultant
on film and American art for the Walker Art Center, the Whitney Museum
of American Art, the Museum of Modern Art, National Public Radio, and
numerous television programs and newspapers. He was a charter member of the advisory board of the Boston Film Festival and, for many years, was the founding presenter of the festival's annual "Independent Filmmaker" award and moderator of a panel discussion that featured on-stage conversations with major artists and others connected with the arts -- from Eric Begosian to Ismail Merchant to "Bobcat" Goldthwait. He currently serves on the board of advisors for the Boston Independent Film Festival, one of the most important screening venues for independent filmmaking east of Austin. He has programmed films for, advised, or lectured at numerous national and international film festivals, including the Sydney
Film Festival (Australia), Festival de San Sebastian (Spain), the Rotterdam
Film Festival, the Berlin Film Festival, the Sundance Film Festival (Park
City), The San Francisco Film Festival, and the USA Film Festival (Dallas),
the Virginia Film Festival, the Denver International Film Festival, the
Olympia Film Festival (Washington), and too many others to list.
|Ray Carney in Melbourne Australia
In the areas of literature
and culture, Professor Carney has edited literary editions of Henry James'
What Maisie Knew and The Spoils of Poynton (New American
Library); Henry Adams' Mont Saint Michel and Chartres (Viking Penguin);
and Rudyard Kipling's Kim (New American Library). He contributed
a major essay on pragmatic aesthetics, "Two Forms of Modernism: Pragmatic
and Visionary," to Townsend Ludington's An American Mosaic: Modernism
in the United States (University of North Carolina Press, 2000). His
contribution to Morris Dickstein's The Revival of Pragmatism: New Essays
on Social Thought, Law, and Culture (Duke University Press): "When
Mind is a Verb: Thomas
Eakins and the Work of Doing," was singled out for special praise
in the April 1999 New York Times Sunday Book Review discussion
of the volume by Alan Wolfe.
In addition to
the two Cassavetes books, he is currently completing three other books:
a critical history of American independent filmmaking, The Real Independent
Movement – Beyond the Hype; a study of late nineteenth- and
early twentieth-century American painting and its relation to pragmatic
and a volume
on Henry James' late fiction.
1999 and 2002, Ray Carney served as the official scholarly advisor for
Charles Kiselyak's recently released documentary about the life and work
of John Cassavetes, A Constant Forge. Prof. Carney did the scholarly
research for the film, located unknown documentary material used in it,
and wrote the script for the voice-over commentary (impersonating the
voice of John Cassavetes). To read more about the production history of
this project and Professor Carney's view of its value, click
here. In 2004, he devoted eight months and more than 300 hours of
his time to serving as the scholarly advisor to the Criterion Collection
for the John Cassavetes, box set of DVDs. He helped in the planning of
the entire box set and advised Criterion with the choice of prints (succeeding
in getting both versions of The Killing of a Chinese Bookie included,
and unsuccessfully attempting to include the first version of Shadows,
the entire long version of Faces, and outtakes he located from
Opening Night). Some of these inclusions were vetoed by Gena Rowlands.
He also located rare photographs and documentary film material included
on the disks, did a voice-over disk commentary, and wrote for the booklet
that accompanies the set. (Late-breaking news: Click
here for a recent update about the status of this project.)
His web site: www.Cassavetes.com has more information about his career
He freelances for a fee as a confidential script consultant and advisor to a number of actors and directors in New York and Los Angeles, and also offers private, personally-tailored seminars, tutorials, and lectures in artistic appreciation to selected individuals and groups. He may be contacted at firstname.lastname@example.org.
He is an avid, insane, fanatical
blader (Coyotes, Outbacks, and Crosskates), biker (off-trail), kayaker
(expedition touring), runner and hiker, and skier (cross-country).
His "strictly for fun" activities on rainy nights involve
reading Balzac or Proust, teaching himself molecular biology, or listening
to Bach (slowly, haltingly working his way, note by note, page by page
through the wonders and mysteries of the Johann Sebastian Bach's
Bach-Gesellschaft zu Leipzig edition).
Note: New visitors seeking an overview or quick introduction to the site are recommended to go to the Mailbag pages by clicking on the blue ticket icon in the left menu of this page (and most other pages), by clicking on the Mailbag listing in the top menu of this page, or by clicking here. The Mailbag pages include comments about recent films and filmmakers, suggestions for dealing with filmmaking and distribution problems, and updates and reflections on a range of recent issues, including Gena Rowlands's and Al Ruban's attempts to suppress Ray Carney's artistic discoveries. The letters to Prof. Carney and his responses in the Mailbag link directly to many of the most important areas of the site and the final eight or ten pages of the Mailbag in particular discuss and offer links that go to the most recent material posted on the site.
For a list of
websites with material by or about Ray Carney, click
High-resolution JPG images of Prof. Carney
are available here.
is an overview of Ray Carney's life and work. To buy any of the books
or articles mentioned, please go to the Bookstore section of the site