BOOKS:

  • (with Keith Polk), Instrumentalists and Renaissance Culture, 1420-1600: Players of Function and Fantasy, accepted by Cambridge University Press, to be completed in 2013.
  • D. Frey, V. Coelho & R. Rangayyan, Acoustical Impulse Response Functions of Music Performance Halls. Boulder: Morgan & Claypool, 2013.
  • The Manuscript Sources of Seventeenth-Century Italian Lute Music. New York: Garland, 1995.
  • (ed.) The Cambridge Companion to the Rolling Stones. Cambridge University Press, in progress.
  • (ed.) The Cambridge Companion to the Guitar. Cambridge: Cambridge University Press, 2003.
  • (ed.) Performance on Lute, Guitar, and Vihuela: Historical Practice and Modern Interpretation. Cambridge Studies in Performance Practice. Cambridge: Cambridge University Press, 1997.
  • (ed.) Music and Science in the Age of Galileo. Dordrecht: Kluwer Academic Publishers, 1992.

ARTICLES

  • (with Keith Polk) "Instrumental Music in Europe: 1520-1640." In European Music, 1520-1640. Ed. James Haar. Woodbridge: Boydell and Brewer, 2006, 527-55.
  • Music in New Worlds,” in The Cambridge History of Seventeenth-Century Music. Ed. T. Carter and J. Butt. Cambridge University Press, 2006: 88-110.
  • “Papal Tastes and Musical Genres: Francesco da Milano ‘Il Divino’ (1497-1543), and the Clementine Aesthetic,” in The Pontificate of Clement VII: History, Politics, Culture. Ed. K. Gouwens & S. Reiss. Aldershot: Ashgate, 2005: 277-92. [PDF]
  • “Rock (and Rolling Stone) Shrines in Calgary, Calgary Magazine (July, 2002). [PDF
  • “Picking through Cultures: A Guitarist’s Music History,” in The Cambridge Companion to the Guitar. Ed. V. Coelho. Cambridge: Cambridge University Press, 2002: 1-14.
  • Saudades and the Goan Poetic Temper: Globalising Goan Cultural History, in Goa and Portugal: History and Development. Ed. C. Borges, O. Pereira, and H. Stube. New Delhi: Concept Publishing, 2000: 319-25.
  • “Public Works and Private Contexts: Lorenzo Allegri and the Florentine Intermedi of 1608,” in Luths en Occident, ed. J. Dugot. Paris: Éditions Klincksieck, 1999: 101-12.
  • “Music in Portuguese India and Renaissance Music Histories,” in Vasco da Gama and India, ed. Teotonio de Souza. 3 vols. Lisbon: Fundação Calouste Gulbenkian, 1999: iii/185-94.
  • “Authority, Autonomy, and Interpretation in Seventeenth-Century Italian Lute Music, in Performance on Lute, Guitar, and Vihuela: Historical Practice and Modern Interpretation, ed. Victor Coelho, Cambridge Studies in Performance Practice. Cambridge: Cambridge University Press, 1997: 108-41. [PDF]
  • “Connecting Histories: Portuguese Music in Renaissance Goa,” in Goa and Portugal: Their Cultural Links, ed. C. Borges, S.J. and Helmut Feldmann. Xavier Centre of Historical Research Series No. 7. New Delhi: Concept Publishing, 1997: 131-47.
  • “The Reputation of Francesco da Milano (1497-1543) and the Ricercars in the Cavalcanti Lute Book,” Revue Belge de Musicologie 50 (1996): 49-72.
  • “Raffaello Cavalcanti’s Lute Book (1590) and the Ideal of Singing and Playing,” in Le Concert des voix et des instruments à la Renaissance. Ed. Jean-Michel Vaccaro. Paris: Centre National de la Recherche Scientifique, 1995: 423-42. [PDF]
  • “Marino’s Toccata between the Lutenist and the Nightingale,” in The Sense of Marino: Literature, Fine Arts and Music of the Italian Baroque. Ed. Francesco Guardiani. New York & Toronto: Legas, 1994: 395-427.
  • “G.G. Kapsberger ‘della tiorba’ e l’influenza liutistica sulle Toccate di Frescobaldi,” in Girolamo Frescobaldi nel IV centenario della nascita, ed. S. Durante & D. Fabris. Florence: Leo Olschki, 1986: 341-57.
  • “Girolamo Frescobaldi” Diàlogos 21 (1985): 42-45.
  • “Studies in the Lute and its Music: Prospects for the Future,” Journal of the Lute Society of America 17-18 (1984-85): 118-32.
  • “Clark and the Romantics: A Cache of Musical Manuscripts.” The William Andrews Clark Library Newsletter 6 (Spring 1984): 4-5.
  • “G.G. Kapsberger in Rome, 1604-1645: New Biographical Data,” Journal of the Lute Society of America 16 (1983): 103-33. [PDF]


ARTICLES IN DICTIONARIES:

The New Grove Dictionary of Music and Musicians, ed. S. Sadie (7th ed.). London: The Macmillan Press Ltd., 2001:

Johann Hieronymus Kapsberger

Albert de Rippe

Joanambrosio Dalza.

The New Grove Dictionary of Opera. Ed. Stanley Sadie. London: The Macmillan Press Ltd., 1992:

Johann Hieronymus Kapsberger.

Musik in Geschichte und Gegenwart. Kassel: Bärenreiter, 1999-.

Juan Carlos Amat

Francesco da Milano [English translation PDF]

Alessandro Piccinini [English translation PDF]

 RECORDINGS

  • Antonio Vivaldi, Four Seasons, w/Boston Baroque, dir. Martin Pearlman, Telarc (2009)
  • Bellerofonte Castaldi, Battaglia d’Amore, Il Furioso, Toccata Classics (2008)
  • G.G. Kapsberger, Songs of Human and Divine Love: Il Libro secondo d’arie (1623), Il Furioso, Toccata Classics 0027 (2006)
  • La Notte d’Amore: Music for the Marriage of Cosimo II Medici and Maria Maddalena of Austria, Il Complesso Barocco (2003), dir. Alan Curtis & V. Coelho, Stradivarius 33636. Winner, Prelude Classical Award 2004 (Baroque vocal music: Ensemble)
  • Bluestoons, The Rooster Blues Band, CD-UCM 0105
  • Come on in my Kitchen: The Rooster Band Live CD-UCM 0101

 

REVIEWS:

  • James Tyler and Paul Sparks, The Guitar and its Music from the Renaissance to the Classical Era. (Oxford: Oxford University Press, 2002), in Renaissance Quarterly, 57/1 (2004), 323-25.
  • Berliner Lautentabulaturen in Krakau: Beschreibender Katalog der handschriftlichen Tabulaturen für Laute und verwandte Instrumente in der Biblioteka Jagielloñska Kraków aus dem Besitz der ehemaligen Preußischen Staatsbibliothek Berlin. Ed. Dieter Kirsch and Lenz Meierott (Mainz: Schott, 1992), in Notes 52 (1995): 85-88.
  • Sources manuscrites en tablature, luth et théorbe (c. 1500-c.1800): Catalogue déscriptif. Vol. 1: Confoederatio Helvetica (CH), France (F), ed. F-P. Goy, C. Meyer, M. Rollin (Baden-Baden: Valentin Koerner, 1991), in  Notes 51 (1994): 112-115.
  • Robert Toft, Aural Images of Lost Traditions: Sharps and Flats in the Sixteenth Century (Toronto: University of Toronto Press, 1992) in Canadian University Music Review 13 (1993): 145-53.
  • Tablature de luth italienne, dit Siena Manuscrit (ca 1560-1570), ed. Arthur J. Ness (Geneva: Éditions Minkoff), in Notes 46 (1989-90): 1060-63.
  • Jean-Michel Vaccaro, La musique de luth en France au XVIe siècle (Paris: CNRS, 1981) in the Journal of the American Musicological Society 38 (1985): 369-76.

 

 

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