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BOOKS:
- The
Manuscript Sources of Seventeenth-Century Italian
Lute Music. New York: Garland, 1995.
- (ed.)
The Cambridge Companion to the Guitar.
Cambridge: Cambridge University Press, 2003.
- (ed.)
Performance on Lute, Guitar, and Vihuela:
Historical Practice and Modern Interpretation. Cambridge Studies in Performance Practice. Cambridge:
Cambridge University Press, 1997.
- (ed.)
Music and Science in the Age of Galileo.
Dordrecht: Kluwer Academic Publishers,
1992.
- (with Keith Polk) Instrumental Music and Renaissance Culture, accepted by Cambridge University Press, to be completed in 2012.
- The Cambridge Companion to the Rolling Stones. Cambridge University Press, in progress.
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ARTICLES
"Through the Lens, Darkly: Peter Whitehead and the Rolling Stones," Framework: The Journal of Cinema and Media 52 (2011), 174-91.
"Bronzino’s Lute Player: Music and Youth Culture in Renaissance Florence,”Renaissance Studies in Honor of Joseph Connors (Florence: Leo Olschki, 2012), in press.
(with Keith Polk) "Instrumental Music in Europe: 1520-1640." In European Music, 1520-1640. Ed. James Haar. Woodbridge: Boydell and Brewer, 2006, 527-55.
“Music in New Worlds,” in The Cambridge History of
Seventeenth-Century Music. Ed. T. Carter
and J. Butt. Cambridge University Press, 2006: 88-110.
“Papal
Tastes and Musical Genres: Francesco da Milano
‘Il Divino’ (1497-1543), and the
Clementine Aesthetic,” in The Pontificate
of Clement VII: History, Politics, Culture. Ed. K. Gouwens & S. Reiss. Aldershot: Ashgate, 2005: 277-92. [PDF]
“The
Baroque Guitar: Players, Patrons, Paintings, and the Public,” in The World of Baroque
Music, ed. G. Stauffer. Bloomington:
Indiana University Press, 200, 184-203.
“Rock
(and Rolling Stone) Shrines in Calgary,”
Calgary Magazine (July, 2002). [PDF]
“The
Players of Florentine Monody in Context and
in History, and a Newly Recognized Source for Le Nuove Musiche” Journal of Seventeenth-Century
Music 9 (2003), 48-67.
“Picking
through Cultures: A Guitarist’s Music
History,” in The Cambridge Companion
to the Guitar. Ed. V. Coelho. Cambridge:
Cambridge University Press, 2002: 1-14.
“Saudades and the Goan Poetic Temper: Globalising Goan
Cultural History,” in Goa and Portugal:
History and Development. Ed. C. Borges,
O. Pereira, and H. Stube. New Delhi: Concept
Publishing, 2000: 319-25.
“Public
Works and Private Contexts: Lorenzo Allegri
and the Florentine Intermedi of 1608,”
in Luths en Occident, ed. J. Dugot.
Paris: Éditions Klincksieck, 1999: 101-12.
“Music
in Portuguese India and Renaissance Music Histories,”
in Vasco da Gama and India, ed. Teotonio
de Souza. 3 vols. Lisbon: Fundação
Calouste Gulbenkian, 1999: iii/185-94.
“Revisiting
the Workshop of Howard Mayer Brown: [Josquin’s]
Obsecro te Domina and the Context of Arrangement,”
in ‘La musique de tous les passetemps
le plus beau’: Hommage à Jean-Michel
Vaccaro, ed. H. Vanhulst, F. Lesure &
V. Coelho. Paris: Éditions Klincksieck,
1998: 47-65.
“Kapsberger’s Apotheosis… of Francis Xavier
(1622) and the Conquering of India,” in
The Work of Opera: Genre, Nationhood, and
Sexual Difference, ed. R. Dellamora & D. Fischlin. New York: Columbia University Press,
1997: 27-47.
“Authority,
Autonomy, and Interpretation in Seventeenth-Century
Italian Lute Music,” in Performance
on Lute, Guitar, and Vihuela: Historical Practice
and Modern Interpretation, ed. Victor Coelho,
Cambridge Studies in Performance Practice. Cambridge:
Cambridge University Press, 1997: 108-41. [PDF]
“Connecting
Histories: Portuguese Music in Renaissance Goa,”
in Goa and Portugal: Their Cultural Links,
ed. C. Borges, S.J. and Helmut Feldmann. Xavier
Centre of Historical Research Series No. 7.
New Delhi: Concept Publishing, 1997: 131-47.
“The
Reputation of Francesco da Milano (1497-1543)
and the Ricercars in the Cavalcanti Lute Book,”
Revue Belge de Musicologie 50 (1996):
49-72.
“Raffaello
Cavalcanti’s Lute Book (1590) and the
Ideal of Singing and Playing,” in Le
Concert des voix et des instruments à la Renaissance. Ed. Jean-Michel Vaccaro.
Paris: Centre National de la Recherche Scientifique,
1995: 423-42. [PDF]
“Marino’s
Toccata between the Lutenist and the Nightingale,”
in The Sense of Marino: Literature, Fine
Arts and Music of the Italian Baroque.
Ed. Francesco Guardiani. New York & Toronto:
Legas, 1994: 395-427.
“Mozart
didn’t like Gould Either: in Defence of Andante grazioso,” Queen’s
Quarterly 99 (1992), pp. 916-27.
“Musical
Myth and Galilean Science in Giovanni Serodine’s Allegoria della Scienza,” in
Music and Science in the Age of Galileo.
Ed. V. Coelho. University of Western Ontario
Series in Philosophy of Science 51. Dordrecht:
Kluwer Academic Publishers, 1992: 91-114.
“Frescobaldi
and the Lute and Chitarrone Toccatas of ‘Il
Tedesco della tiorba’” in Frescobaldi
Studies, ed. A. Silbiger. Durham: Duke
University Press, 1987: 137-56.
“G.G.
Kapsberger ‘della tiorba’ e l’influenza
liutistica sulle Toccate di Frescobaldi,”
in Girolamo Frescobaldi nel IV centenario
della nascita, ed. S. Durante & D.
Fabris. Florence: Leo Olschki, 1986: 341-57.
“Girolamo
Frescobaldi” Diàlogos
21 (1985): 42-45.
“Studies
in the Lute and its Music: Prospects for the
Future,” Journal of the Lute Society
of America 17-18 (1984-85): 118-32.
“Clark
and the Romantics: A Cache of Musical Manuscripts.”
The William Andrews Clark Library Newsletter
6 (Spring 1984): 4-5.
“G.G.
Kapsberger in Rome, 1604-1645: New Biographical
Data,” Journal of the Lute Society
of America 16 (1983): 103-33. [PDF]
ARTICLES IN DICTIONARIES:
The
New Grove Dictionary of Music and Musicians,
ed. S. Sadie (7th ed.). London: The Macmillan
Press Ltd., 2001:
Johann Hieronymus Kapsberger
Albert de Rippe
Joanambrosio Dalza.
The
New Grove Dictionary of Opera. Ed. Stanley
Sadie. London: The Macmillan Press Ltd., 1992:
Johann Hieronymus Kapsberger.
Musik
in Geschichte und Gegenwart. Kassel: Bärenreiter,
1999-.
Juan Carlos Amat
Francesco da Milano [English translation PDF]
Alessandro Piccinini [English translation PDF]
RECORDINGS
- Antonio Vivaldi, Four Seasons, w/Boston Baroque, dir. Martin Pearlman, Telarc (2009)
- Bellerofonte Castaldi, Battaglia d’Amore, Il Furioso, Toccata Classics (2008)
- G.G. Kapsberger, Songs of Human and Divine Love: Il Libro secondo d’arie (1623), Il Furioso, Toccata Classics 0027 (2006)
- La Notte d’Amore: Music for the Marriage of Cosimo II Medici and Maria Maddalena of Austria, Il Complesso Barocco (2003), dir. Alan Curtis & V. Coelho, Stradivarius 33636. Winner, Prelude Classical Award 2004 (Baroque vocal music: Ensemble)
- Bluestoons, The Rooster Blues Band, CD-UCM 0105
- Come on in my Kitchen: The Rooster Band Live CD-UCM 0101
REVIEWS:
- James
Tyler and Paul Sparks, The Guitar and its
Music from the Renaissance to the Classical
Era. (Oxford: Oxford University Press,
2002), in Renaissance Quarterly, 57/1 (2004), 323-25.
- Berliner
Lautentabulaturen in Krakau: Beschreibender
Katalog der handschriftlichen Tabulaturen für
Laute und verwandte Instrumente in der Biblioteka
Jagielloñska Kraków aus dem Besitz
der ehemaligen Preußischen Staatsbibliothek
Berlin. Ed. Dieter Kirsch and Lenz Meierott
(Mainz: Schott, 1992), in Notes 52 (1995): 85-88.
- Sources
manuscrites en tablature, luth et théorbe
(c. 1500-c.1800): Catalogue déscriptif.
Vol. 1: Confoederatio Helvetica (CH), France
(F), ed. F-P. Goy, C. Meyer, M. Rollin
(Baden-Baden: Valentin Koerner, 1991), in Notes
51 (1994): 112-115.
- Robert
Toft, Aural Images of Lost Traditions: Sharps
and Flats in the Sixteenth Century (Toronto:
University of Toronto Press, 1992) in Canadian
University Music Review 13 (1993): 145-53.
- Tablature
de luth italienne, dit Siena Manuscrit (ca 1560-1570),
ed. Arthur J. Ness (Geneva: Éditions
Minkoff), in Notes 46 (1989-90): 1060-63.
- Jean-Michel
Vaccaro, La musique de luth en France au
XVIe siècle (Paris: CNRS, 1981)
in the Journal of the American Musicological
Society 38 (1985): 369-76.
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