Victor Anand Coelho is Professor of Music and Chairman of the Department of Musicology and Ethnomusicology at Boston University. He is also Director of the Center for Early Music Studies, and a faculty member in the American and New England Studies Program. A graduate of Berkeley (BA) and UCLA (PhD), and a Fellow of Villa I Tatti, The Harvard University Center for Italian Renaissance Studies in Florence, from 2007-2011 he was Associate Provost for Undergraduate Education at Boston University and produced the University's "One BU" report on undergraduate education.
A musicologist, performer, and educator of international distinction, he works primarily in the areas of Renaissance music and popular culture, with a particular interest in interdisciplinary approaches and cross-cultural perspectives. As a specialist on popular music, he is interested in African-American music, rock history, blues, improvisation, and performance issues, and appears regularly in newspapers, radio, films, and other media as a specialist on the music of the Rolling Stones, the blues, trends in higher education, media, and technology.
He has held visiting appointments at the University of Wisconsin-Madison (1984-5), the Ecole Normale Supérieure in Paris (1990), the University of Melbourne (1992), and Cornell University (1995). In 2004 he was Visiting Professor at Villa I Tatti in Florence. From 1986-2005 he taught at the University of Calgary, where he was named University Professor, and was cited as one of the university's "most popular profs" by the Maclean's Guide to Canadian Universities; he also won a teaching award from the Students' Union. As of 2017, Victor is President of the Saturday Club, founded by Emerson in Boston in 1855.
His books include Instrumentalists and Renaissance Culture,1420-1600, co-authored with Keith Polk (Cambridge), Music and Science in the Age of Galileo (Kluwer), The Manuscript Sources of 17th-Century Italian Lute Music (Garland), Performance on Lute, Guitar, and Vihuela (Cambridge), and The Cambridge Companion to the Guitar. Forthcoming books include The Cambridge Companion to the Rolling Stones (ed. with John Covach).
As a lutenist he has performed extensively throughout N. America and Europe, and he is co-director of the group Il Furioso, which specializes in Italian music of the late sixteenth and early seventeenth centuries. In 2000 he received the Noah Greenberg Award given by the American Musicological Society for outstanding contributions to the performance of early music. His recordings as lutenist and director appear on the Stradivarius, Toccata Classics, and Teldec labels, and he is also the founder and one of the guitarists in the Rooster Blues Band, which has released two albums, Come on in my Kitchen and Bluestoons on the UCM label. For ten years the band toured regularly with the late Chicago blues singer Lou Pride (d. 2012).