Ray Carney's Bookstore

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Ray Carney, Cassavetes on Cassavetes (Faber and Faber in London, and Farrar, Straus and Giroux in New York), copiously illustrated, paperback, approximately 550 pages. Available directly from the author for $25.

Cassavetes on Cassavetes is the autobiography John Cassavetes never lived to write. It tells an extraordinary saga – thirty years of film history, chronicling the rise of the American independent movement – as it was lived by one of its pioneers and one of the most important artists in the history of the medium. The struggles, the triumphs, the crazy dreams and frustrations are all here, told in Cassavetes' own words. Cassavetes on Cassavetes tells the day-by-day story of the making of some of the greatest and most original works of American film. —from the "Introduction: John Cassavetes in His Own Words"

Click here to access a detailed description of the book and a summary of the topics covered in it.

To read reviews and critical responses to Ray Carney's Cassavetes on Cassavetes, please click here.

Cassavetes on Cassavetes is available in the United States through Amazon and Barnes and Noble, and in England through Amazon (UK), Faber and Faber (UK). It is also available at your local bookseller, or, for a limited time, directly from the author (in discounted, specially autographed editions) for $25 via this web site. See below for information how to order this book directly from this web site by money order, check, or credit card (using PayPal).

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Ray Carney, The Films of John Cassavetes: Pragmatism, Modernism, and the Movies
(New York and Cambridge: Cambridge University Press, 1994), 48 illustrations, paperback, 322 pages. This book is available directly from the author for $20.


The Films of John Cassavetes tells the inside story of the making of six of Cassavetes' most important works: Shadows, Faces, Minnie and Moskowitz, A Woman under the Influence, The Killing of a Chinese Bookie, and Love Streams.

With the help of almost fifty previously unpublished photographs from the private collections of Sam Shaw and Larry Shaw, and excerpts from interviews with the filmmaker and many of his closest friends, the reader is taken behind the scenes to watch the maverick independent at work: writing his scripts, rehearsing his actors, blocking their movements, shooting his scenes, and editing them. Through words and pictures, Cassavetes is shown to have been a deeply thoughtful and self-aware artist and a profound commentator.

This iconoclastic, interdisciplinary study challenges many accepted notions in film history and aesthetics. Ray Carney argues that Cassavetes' films participate in a previously unrecognized form of pragmatic American modernism that, in its ebullient affirmation of life, not only goes against the world-weariness and despair of many twentieth-century works of art, but also places his works at odds with the assumptions and methods of most contemporary film criticism.

Cassavetes' films are provocatively linked to the philosophical writing of Ralph Waldo Emerson, William James, and John Dewy, both as an illustration of the artistic consequences of a pragmatic aesthetic and as an example of the challenges and rewards of a life lived pragmatically. Cassavetes' work is shown to reveal stimulating new ways of knowing, feeling, and being in the world.

For reviews and critical responses to The Films of John Cassavetes, please click here.

This book is available through Amazon, Barnes and Noble, your local bookseller, or, for a limited time, directly from the author (in discounted, specially autographed editions). See below for information how to order this book directly from the author by money order, check, or credit card.

Clicking on the above links will open a new window in your browser. You may return to this page by closing that window or by clicking on the window for this page again.

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Ray Carney, John Cassavetes: The Adventure of Insecurity
(Boston: Company C Publishing, 1999), 25 illustrations, paperback, 68 pages. This book is available directly from the author for $15.

New essays on all of the major films, including Shadows, Faces, Husbands, Minnie and Moskowitz, A Woman Under the Influence, The Killing of a Chinese Bookie, Opening Night, and Love Streams New, previously unknown information about Cassavetes' life and working methods A new, previously unpublished interview with Ray Carney about Cassavetes the person Statements about life and art by Cassavetes Handsomely illustrated with more than two dozen behind-the-scenes photographs Click here to access a detailed description of the book.

This book is available through Amazon, Barnes and Noble, your local bookseller, or, for a limited time, directly from the author (in discounted, specially autographed editions). See below for information how to order this book directly from the author by money order, check, or credit card.

Clicking on the above links will open a new window in your browser. You may return to this page by closing that window or by clicking on the window for this page again.

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Ray Carney, Shadows (BFI Film Classics, ISBN: 0-85170-835-8), 88 pages. This book is available directly from the author via this web site for $20.

John Cassavetes’ Shadows is generally regarded as the start of the independent feature movement in America. Made for $40,000 with a nonprofessional cast and crew and borrowed equipment, the film caused a sensation on its London release in 1960.

The film traces the lives of three siblings in an African-American family: Hugh, a struggling jazz singer, attempting to obtain a job and hold onto his dignity; Ben, a Beat drifter who goes from one fight and girlfriend to another; and Lelia, who has a brief love affair with a white boy who turns on her when he discovers her race. In a delicate, semi-comic drama of self-discovery, the main characters are forced to explore who they are and what really matters in their lives.

Shadows ends with the title card "The film you have just seen was an improvisation," and for decades was hailed as a masterpiece of spontaneity, but shortly before Cassavetes’ death, he confessed to Ray Carney something he had never before revealed – that much of the film was scripted. He told him that it was shot twice and that the scenes in the second version were written by him and Robert Alan Aurthur, a professional Hollywood screenwriter. For Carney, it was Cassavetes‘ Rosebud. He spent ten years tracking down the surviving members of the cast and crew, and piecing together the true story of the making of the film.

Carney takes the reader behind the scenes to follow every step in the making of the movie – chronicling the hopes and dreams, the struggles and frustrations, and the ultimate triumph of the collaboration that resulted in one of the seminal masterworks of American independent filmmaking.

Highlights of the presentation are more than 30 illustrations (including the only existing photographs of the dramatic workshop Cassavetes ran in the late fifties and of the stage on which much of Shadows was shot, and a still showing a scene from the "lost" first version of the film); and statements by many of the film's actors and crew members detailing previously unknown events during its creation.

One of the most interesting and original aspects of the book is a nine-page Appendix that "reconstructs" much of the lost first version of the film for the first time. The Appendix points out more than 100 previously unrecognized differences between the 1957 and 1959 shoots, all of which are identified in detail both by the scene and the time at which they occur in the current print of the movie (so that they may be easily located on videotape or DVD by anyone viewing the film).

By comparing the two versions, the Appendix allows the reader to eavesdrop on Cassavetes' process of revision and watch his mind at work as he re-thought, re-shot, re-edited his movie. None of this information, which Carney spent more than five years compiling, has ever appeared in print before (and, as the presentation reveals, the few studies that have attempted to deal with this issue prior to this are proved to have been completely mistaken in their assumptions). The comparison of the versions and the treatment of Cassavetes' revisionary process is definitive and final, for all time.

For reviews and critical responses to Ray Carney's book on the making of Shadows, please click here.

This book is available through Amazon, Barnes and Noble, and in England through Amazon (UK) and The British Film Institute. For a limited time, the Shadows book is also available directly from the author (in discounted, specially autographed editions) via this web site. See information below on how to order this book directly from the author by money order, check, or credit card (PayPal).

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Ray Carney, American Dreaming: The Films of John Cassavetes and the American Experience (Berkeley: University of California Press, 1985). $20.

[From the original dust jacket description:] John Cassavetes is known to millions of filmgoers as an actor who has appeared in Rosemary’s Baby, The Dirty Dozen, Whose Life Is It, Anyway?, Tempest, and many other Hollywood movies. But what is less known is that Cassavetes acts in these films chiefly in order to finance his own unique independent productions. Over the past 25 years, working almost entirely outside the Hollywood establishment, Cassavetes has written, directed, and produced ten extraordinary films. They range from romantic comedies like Shadows and Minnie and Moskowitz to powerful, poignant domestic dramas like Faces and A Woman Under the Influence to unclassifiable emotional extravaganzas like Husbands, The Killing of a Chinese Bookie, and Gloria.

This is the first book-length study ever devoted to this controversial and iconoclastic filmmaker. It is the argument of American Dreaming that Cassavetes has single-handedly produced the most stunningly original and important body of work in contemporary film. Raymond Carney examines Cassavetes’ life and work in detail, traces his break with Hollywood, and analyzes the cultural and bureaucratic forces that drove him to embark on his maverick career. Cassavetes' work is considered in the context of other twentieth-century forms of traditional and avant-garde expression and is provocatively contrasted with the better-known work of other American and European filmmakers.

The portrait of John Cassavetes that emerges in these pages is of an inspiringly idealistic American dreamer attempting to beat the system and keep alive his dream of personal freedom and individual expression – just as the characters in the films excitingly try to keep alive their middle-class dreams of love, freedom, and self-expression in the hostile emotional and familial environments in which they function. His films are chronicles of the yearnings, desires, and frustrations of the American dream. He is America’s truest historian of the inevitable conflict between the ideals and the realities of the American experience.

"By far the most thorough, ambitious, and far-reaching criticism of Cassavetes' work has been accomplished by Raymond Carney, currently Professor of Film and American Studies at Boston University. Carney wrote the first book-length study of Cassavetes, who languished in critical obscurity until the publication of Carney's American Dreaming in 1985.... In Carney's view, to settle the accounts of our lives, to decide once and for all, is, for Cassavetes, to tumble headlong into the abyss of nonentity upon which we incessantly verge. Carney argues that Cassavetes has re-invented the craft of filmmaking in ways that drastically alter our casual habits of film viewing. To adapt William James' terminology (which Carney is indebted to) Cassavetes' works are concerned less with the events and finished episodes that make up the 'substantive' parts of our experience and more with the moments of insecurity, the 'transitive' slippages during which our habitual strategies for understanding and stabilizing our relationships with ourselves and others cease to function in any useful way.... Carney's work with Cassavetes, placed within the context of his later book, American Vision, on Frank Capra, can be viewed as an attempt not only to further the understanding of American film, but to forge a new synthesis of understanding in American Studies, making his critical works valuable not only to film scholars, but to students of American culture generally." — Lucio Benedetto, PostScript Magazine

For reviews and critical responses to Ray Carney's American Dreaming: The Films of John Cassavetes, please click here.

This was the first book ever written about Cassavetes' life and work in any language, and has long been out of print but is now newly available through this web site for $20 in a Xerox of the original edition. You may order with a credit card through PayPal or through the mail with a money order. See below.

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In addition, two packets of Ray Carney's writings on John Cassavetes (material not included in any of the above books) are also specially available through this web site. These packets contain the texts of many of his notes and essays about the filmmaker. Each packet is available for $15.00.

Collected Essays on the Life and Work of John Cassavetes (a packet of essays by Ray Carney previously published in magazines, newspapers, and periodicals and now unavailable). Approximately 130 pages.

A loose-leaf bound packet of Ray Carney's writings on John Cassavetes is specially available only through this web site. The packet has the complete texts of program notes and essays about Cassavetes that were published by Ray Carney in a variety of film journals and general interest periodicals between 1989 and the present. It contains more than fifteen separate pieces – including the keynote essay commissioned by the Sundance Film Festival for their retrospective of Cassavetes' work at the time of his death as well as the memorial piece on Cassavetes awarded a prize by The Kenyon Review as "one of the best essays of the year by a younger author."

This packet also contains the text Ray Carney contributed to the "Special John Cassavetes Issue" of PostScript edited by Ray Carney, including "A Polemical Introduction: The Road Not Taken," "Seven Program Notes from the American Tour of the Complete Films: Faces, Minnie and Moskowitz, Woman Under the Influence, The Killing of a Chinese Bookie, and Love Streams."

The Collected Essays on the Life and Work of John Cassavetes is not for sale in any store, and available exclusively on this web site for $15.00 under the same credit payment terms or at the same mailing address as the other offers.

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"Special Issue: John Cassavetes." PostScript: Essays in Film and the Humanities Vol. 11 Number 2 (Winter 1992). Guest editor: Ray Carney $10.

Handsomely illustrated. 113 double-column pages (50,000 words).

A memorial tribute to the life and work of John Cassavetes. Essays by Ray Carney, George Kouvaros, Janice Zwierzynski, and Carole Zucker. Interviews with Al Ruban and Seymour Cassel by Maria Viera. A history of the critical appreciation of Cassavetes' work and a bibliography of writing in English by Lucio Benedetto. The issue is illustrated with more than 40 behind-the-scenes photos of Cassavetes and his actors and contains many personal statements by him about his life and work.

This issue includes eight essays by Ray Carney about Cassavetes' life and work: "A Polemical Introduction: The Road Not Taken," and "Seven Program Notes from the American Tour of the Complete Films, about Faces, Minnie and Moskowitz, Woman Under the Influence, The Killing of a Chinese Bookie, and Love Streams." But note that Ray Carney's contributions to the special Cassavetes issue of PostScript magazine are also available as part of the packet, The Collected Essays on the Life and Work of John Cassavetes, which contains many other pieces by Prof. Carney as well. The Collected Essays packet is listed separately above at a price of $15. But if you would like a Xerox copy of the entire PostScript magazine issue (which includes the other additional material by the other authors listed above), the PostScript issue is available separately for $10. You may order it with a credit card through PayPal or through the mail with a money order. See the instructions below.

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A packet comparing the two versions of Shadows is available: A Detective Story – Going Inside the Heart and Mind of the Artist: A Study of Cassavetes' Revisionary Process in the Two Versions of Shadows. Available direct from the author through this site for $15.

This packet contains the following material (most of which was not included in the BFI Shadows book):

• An introductory essay about the two versions of the film
• A table noting the minute-by-minute, shot-by-shot differences in the two prints. (In the British Film Institute book on Shadows, this table appears in a highly abridged, edited version, at less than half the length and detail presented here.)
• A conjectural reconstruction of theshot sequence in the 1957 print
• A shot list for the 1959 re-shoot of the film
• The credits exactly as presented in the film (including typographical and orthographical vagaries indicating Cassavetes' view of the importance of various contributors)
• An expanded and corrected credit listing that includes previous uncredited actors and appearances (e.g. Cassavetes in a dancing sequence; Gena Rowlands in a chorus girl sequence; and Danny Simon and Gene Shepherd in the nightclub sequence)
• Notes about the running times of both versions and information about dates and places of early screenings
• A bibliography of suggested additional reading (including a note about serious mistakes in previous treatments of the film by other authors)

Very little of this material was included in the BFI book on Shadows due to limitations on space. This 85-page (25,000 word) packet is not for sale in any store and is available exclusively through this site for $15.

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Telling the Truth about Life and Art

Three packets of interviews with Ray Carney are available exclusively through www.Cassavetes.com. They are not for sale in any store and only available through this web site.

In them Ray Carney talks about —

• the importance of art in a world organized around business values
  
• the importance of the unique, individual voice in a world of averages and generalizations
  
• the importance of excellence in a world of mediocrity
  
• the importance of truth–telling in a world devoted to popularity and celebrity
  
• the difference between teaching content (facts, methods, and techniques) and teaching ways of knowing
  
• what’s wrong with the study of film in college and graduate school
  
• why most film books and film reviews are so bad

Ray Carney, Why Art Matters: A collection of essays, interviews, and lectures on life and art, softbound, approximately 150 pages (60,000 words). Available for $15.

A collection of essays, interviews, and lectures on art, life, and film that appeared in Visions and Moviemaker magazines between 1993 and 1999. The collection includes the celebrated “The Rules of the Game,” “Fake Independence and Real Truth,” “The Path of the Artist,” and many additional pieces. This packet reprints the complete texts of many items that are published only in excerpts on Ray Carney’s site.

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Ray Carney, Necessary Experiences—What art can show us about ourselves and our culture, softbound, approximately 170 pages (60,000 words). Available for $15.

A collection of essays and interviews on art, life, and independent film that appeared in Filmmaker, Moviemaker, The Daily Telegraph, and other places between 1999 and 2002. Ray Carney talks with Jim McKay, Cynthia Rockwell, Jake Mahaffy, and others about his impressions of Cassavetes the man, and about the lessons he learned while working on his Cassavetes on Cassavetes and Shadows books. He talks with Shelley Friedman about independent filmmaking and the importance of making a life when making a career. This packet reprints the complete texts of many items that are published only in excerpts on Ray Carney’s web site.

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Ray Carney, What's Wrong with Film Books, Film Courses, and Film Reviewing—And How to Do It Right, softbound, approximately 190 pages (80,000 words). Available for $15.

A book-length interview in which Ray Carney talks about his experiences as a classroom teacher, his views of the American media and film reviewing system, and his experiences in the world of publishing. The complete interview will be published in two parts. Part one is now available. Check back for the availability of part two in the near future. This packet reprints the complete texts of many items that are published only in excerpts on Ray Carney’s web site.

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Ray Carney has the longest and most ambitious essay he has ever written about film and philosophy in the following book. The essay is more than 40,000 words long.

A Modern Mosaic: Art and Modernism in the United States, Edited by Townsend Ludington
(University of North Carolina Press, 2000), 225 b&w illustrations, paperback, 472 pages. This book is available directly from this site for $29.

The modernist movement has shaped our era as has no other. This insightful collection of original essays explores the impact of modernism on American culture and the ways in which modernism remains a key to understanding American art and society. An impressive cast of scholars examines works and their creators across the whole spectrum of artistic expressionfiction and poetry, painting and sculpture, architecture, dance, photography, and film. In fresh and provocative essays they explore how the ideas of modernism helped shape such artistic expressions as the writings of the Harlem Renaissance, the paintings of Edward Hopper, New Deal public art projects, and George Antheil's Ballet Mecanique. Extensive use of color and black-and-white illustrations results in a book that is as appealing visually as it is stimulating intellectually. The contributors are Casey Nelson Blake, Robert Cantwell, Ray Carney, Thomas Fahy, Lucy Fischer, John F. Kasson, William E. Leuchtenburg, Lucinda H. MacKethan, Randy Martin, Carol J. Oja, Miles Orvell, Joan Shelley Rubin, Jon Michael Spencer, and Maren Stange.

This book is available through Amazon, Barnes and Noble, University of North Carolina Press, your local bookseller, or, for a limited time, directly from the author (in discounted, specially autographed editions). See below for information how to order this book directly from the author by money order, check, or credit card. Clicking on the above links will open a new window in your browser. You may return to this page by closing that window or by clicking on the window for this page again.

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For another discussion of American painting and culture by Ray Carney, see: "When Mind is a Verb: Thomas Eakins and the Doing of Thinking," in Morris Dickstein (ed.) The Revival of Pragmatism: New Essays in Social Thought, Law, and Culture (Durham, NC: Duke University Press, 1998), 5 photographs, paperback, 464 pages. This book is available directly from this site for $25. Available through Amazon, Barnes and Noble, your local bookseller, or, for a limited time, directly from the author (in discounted, specially autographed editions). See below for information how to order this book directly from the author by money order, check, or credit card. Clicking on the above links will open a new window in your browser. You may return to this page by closing that window or by clicking on the window for this page again.

For more information about the life and work of Mike Leigh:

Ray Carney's The Films of Mike Leigh is quite simply the best book of film criticism I have ever read. Now I have to say that I have never read any of Carney's other books (he has also written books on Cassavetes, Frank Capra, and Carl Dreyer), which, for all I know, might be even better. But as a friend of mine put it, 'His writing blows everything else out there away, even to the point of many times seeming like simply in a class of his own...different in kind more than degree.' And although I admit to not having read 'everything else out there,' I feel the exact same way. Ray Carney's new book has undeniably rocked my world. Ray Carney's book is to what usually passes for film criticism what Mike Leigh's movies are to what, in Hollywood, usually passes for filmmaking: a truly radical critique, a whole different animal, and a solitary voice of sanity that has somehow miraculously managed to make itself heard over the noise and hullabaloo of this culture's present-day insanity.

--Caveh Zahedi, creator of A Little Stiff and I Don't Hate Las Vegas Anymore, in a review in Filmmaker Magazine

Ray Carney, The Films of Mike Leigh: Embracing the World (New York and Cambridge: Cambridge University Press, 2000), 13 illustrations, paperback, 290 pages. This book is available directly from the author for $20.

Mike Leigh is a maverick British independent who, for nearly 30 years, has been producing eccentric, unique, and almost uncategorizable works. Though his career dates back to 1971, with a film called Bleak Moments, Leigh has worked in obscurity for most of that time, coming to the attention of an international audience only with his recent productions of Naked, Secrets and Lies, Career Girls, and Topsy Turvy.

Working in a similar way to that of Robert Altman, John Cassavetes, and Tom Noonan, Leigh begins with a small group of actors around whom he builds his films during months of private rehearsal. There is no script at the start. It is written as he goes along.

The films--which include Abigails Party, Meantime, Home Sweet Home, High Hopes, and Life is Sweet--are brilliant, outrageous, iconoclastic--and hilarious. Leigh's work has been both ridiculed by some and celebrated by others as among the greatest filmmaking of the twentieth century.

This study argues, among other things, that part of the misunderstanding of Leigh's work has been the result of misclassifying him as a British "realist" in the tradition of Osborne and Loach, when in fact his films are far stranger and more artistically daring. The Films of Mike Leigh: Embracing the World makes the case for regarding Leigh as one of the great artists of the century.

This is the first comprehensive critical appreciation of Leigh's work ever written, and it offers insights not only into this unusual filmmaker's strange and often baffling movies, but into film itself as a way of knowing and understanding the world. This book offers nothing less than a radically new way of understanding both life and art.

To read reviews and critical responses to Ray Carney's The Films of Mike Leigh, click here.

This book is available through Amazon, Barnes and Noble, your local bookseller, or, for a limited time, directly from the author (in discounted and specially autographed editions). Advance copies may be ordered now. If you order prior to publication, your "first edition" copy will be mailed to you the day the book becomes available (and before it is generally available in bookstores)

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Ray Carney, American Vision: The Films of Frank Capra (Hanover, N.H. University Press of New England, 1996), 88 illustrations, paperback, 510 pages. This book is available directly from the author for $20.

The first interdisciplinary study of America's best-known filmmaker. In this daring and unorthodox study, Ray Carney places the work of Frank Capra in the great tradition of American transcendentalism--along with paintings by Homer, Eakins, Sargent, Hopper and the writings of Emerson, Poe, Hawthorne, and William and Henry James, among others.

Interweaving wide-ranging discussions of American literature, drama, and painting and the work of other filmmakers with detailed analyses of such films as Its a Wonderful Life, Meet John Doe, and Mr. Smith Goes to Washington, Carney finds in Capras life and work a classic American struggle for self-expression within the repressive structures of ordinary life. In this larger cultural context, Capra emerges as something far more radical than the social realist he is often taken to be--as a visionary determined to unleash "mysterious, distinctive, personal energies that defy social understandings or control."

American Vision was reprinted in 1996 with a new Preface outlining recent developments in Capra criticism, and detailing the shortcomings of current Cultural Studies approaches to his work.

For reviews and critical responses to American Vision: The Films of Frank Capra, please click here. (Use your back button to return to this page.)

This book is available through Amazon, Barnes and Noble , your local bookseller, or, for a limited time, directly from the author (in discounted and specially autographed editions). See below for information how to order this book directly from the author by money order, check, or credit card. Clicking on the above links will open a new window in your browser. You may return to this page by closing that window or by clicking on the window for this page again.

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For more information about the life and work of Carl Dreyer:

Ray Carney, Speaking the Language of Desire: The Films of Carl Dreyer (New York and Cambridge: Cambridge University Press, 1989), 50 illustrations, paperback, 365 pages. This book is available directly from the author for $20 in a Xeroxed bound copy of the original published book edition. (The book itself is now out of print, but a bound Xerox copy will be sent.)

Although Carl Dreyer is universally acknowledged to be one of the supreme masters of world cinema, it is one of the oddities of film history that beyond The Passion of Joan of Arc, his films have seldom had the general recognition that they undeniably deserve. This book is an attempt to bring his work to the awareness of contemporary filmgoers everywhere.

Ray Carney argues that the key to an understanding of Dreyers work is to be found in an appreciation of his distinctive style. Professor Carney argues that Dreyers style creates a "radically new way of knowing and feeling" that can change how we understand our experiences and identities outside of the movies.

Following a general consideration of Dreyers style, the book offers lucid and comprehensive interpretations of the three crowning masterworks of Dreyers career: Day of Wrath, Ordet, and Gertrud.

The study will appeal both to general filmgoers and to undergraduate and graduate students interested in film.

Click here to read reviews and appreciations of Ray Carney’s Speaking the Language of Desire.

This book is available through Amazon, your local bookseller, or, for a limited time, directly from the author (in discounted and specially autographed editions).

Clicking on the above links will open a new window in your browser. You may return to this page by closing that window or by clicking on the window for this page again.

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Lisa Philips, ed. Beat Culture and the New America—1950-1965 (Paris and New York: The Whitney Museum of Art in association with Flammarion, 1995) softcover, copiously illustrated with more than 300 photos, 280 pages.

Beat Culture and The New America: 1950-1965 puts the cultural legacy of the Beat generation into the context of the social and artistic ferment of the 1950s and early 1960s. This, the catalogue that accompanies the show at the Whitney Museum, surveys a vast range of artistic practices--from painting, sculpture, photography, to film, and a fascinating range of documents and Beat ephemera. The book goes far beyond defining what Beat was and was not, what it spawned or what it ignored. Whitney curator Lisa Phillips, who conceived and organized the exhibition, and the nine contributing writers to this catalogue [which includes three new pieces by Beat film expert Ray Carney] have set out to define not only the historical roots of Beat culture, but also the relationship between its fuzzy edges and its molten center. Just as important, the show and catalogue clarify the bridge between the current range and tone of American art, music, and literature and the residual forces which initially emerged during this complex moment in postwar American history and remain very much with us today.

—Excerpted (and adapted) from the "Director's Foreword" by David Ross

This book sold out all of its printings and is now only available in libraries, used book stores, and through the used book service of Barnes and Noble (which has many copies of it at different prices). For more information about the Beat movement, I highly recommend the following web sites:

• The Beat Movement on Film A Comprehensive Screening List
• Select Program Notes for the Beat Screening List

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These books may be bought through the web sites listed above, or obtained directly from the author, by using the Pay Pal Credit Card button below, or by sending a check or money order to the address below. However you order the book or books, please provide the following information:

* Your name and address
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Checks or money orders may be mailed to:

Ray Carney
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College of Communication
640 Commonwealth Avenue
Boston University Boston, MA 02215