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Primary Sources
Scripts: Published
screenplays. Both have prefaces written by Cassavetes. Faces also
has a few words by collaborator Al Ruban.
- Faces (New York:
New American Library, 1970).
- Minnie and Moskowitz
(Los Angeles: Black Sparrow Press, 1973).
Essays
- "What's Wrong with Hollywood,"
Film Culture no.19, p 4-5.
- "Maybe There Really Wasn't
an America," Daily Variety, October 27, 1970.
American Film Institute
(AFI) Dialogues: Transcriptions of conversations Cassavetes had with
students at The American Film Institute. Very worthwhile.
- AFI Dialogue on Film,
No. 4: John Cassavetes and Peter Falk, Los Angeles: AFI, 1971.
- The American Film Institute
Seminar with John Cassavetes December 18, 1973 (Los Angeles: AFI,
1978).
Interviews: Cassavetes
gave a lot of interviews – way too many to list all of them – but
here's three you might not have seen that are especially worth searching
out:
- Millimeter v3,n3.
March 1975, p26-31.
- Filmmaker's Newsletter
v8,n3. Jan 1975, p23-27.
- Cinema v4,n1. Spring
1968, p24-27.
Secondary Sources
Ray Carney's writings on
John Cassavetes are by far the most extensive and authoritative. Dr.
Carney
has published widely – to list all his work is beyond the scope of this
page. Therefore, we suggest that you begin (or continue!) your studies
with one of his books on Cassavetes (he's published six!) or with the
PostScript issue that he guest edited. All of this material is available
for sale on this web site.
- The Films of John Cassavetes:
Pragmatism, Modernism, and the Movies (Cambridge)
- John Cassavetes: The Adventure
of Insecurity: A Pocket Guide to the Films (Company C)
- Cassavetes on Cassavetes:
A Life in Art (Faber and Faber)
- Shadows (BFI/University
of California)
- "Special Issue: John
Cassavetes." PostScript: Essays in Film and the Humanities
Vol. 11 Number 2 (Winter 1992). Guest editor: Ray Carney
All of Carney's writings are
loaded with photographs (many
of which you see on this site), quotations, and provocative scholarship.
They also include bibliographies that are indespensible if you're looking
for more writings about Cassavetes.
A Partial
Listing of Ray Carney's
Writing on John Cassavetes 1981-2002
Carney, Ray, "Minnie
and Moskowitz," in Frank N. Magill, ed, Magill's Survey of
Cinema, Second Series, Vol. 41981. La Canada, California: Salem
Press, pp. 1594-7.
----."A Woman Under
the Influence," in Frank N. Magill, ed., Magill's Survey of
Cinema, Second Series., Vol.6 Pasadena, California: Salem Press, 1981,
pp. 2711-14.
----."Love Streams,"
in Ellen Reinig, ed, Magill's Cinema Annual1985. La Canada,
California: Salem Press, 1985, pp. 293-302.
----. "Mikey and Nicky,"
in Ellen Reinig, ed, Magill's Cinema Annual1985. La Canada,
California: Salem Press, 1985, pp. 576-580.
----.American Dreaming:
The Films of John Cassavetes and the American Experience, Berkeley:
University of California Press, 1985, pp. 20-62.
----."The Killing of
a Chinese Bookie," in Frank N. Magill, ed, Magill's Cinema
Annual1987. Pasadena, California: Salem Press, 1987, pp. 549-557.
----."Gloria," in
Frank N. Magill, ed, Magill's Cinema Annual1988. Pasadena, California:
Salem Press, 1988, pp. 458-462.
----."Love's Dreams: Love
Streams and the Films of John Cassavetes," Persistence of
Vision (City University of New York) No. 6 (Summer 1988), pp. 41-66.
----. "Complex Characters,"
"Unfinished Business," and "A Note on Big Trouble"
for the special section on the life and work of John Cassavetes, Film
Comment, Vol. 25, May-June 1989, pp. 30-33, 48-49.
----. "Waking Up in the
Dark: Learning from John Cassavetes," program essay for the 1989
United States Film Festival (the precursor to the Sundance Film Festival),
the Sundance Institute, Park City, Utah, January 1989; reprinted in The
Alaska Quarterly Review, vol. 8, no. 3-4 (Spring-Summer 1990), pp.
123-33.
----. Program notes to accompany
the screenings of the films of John Cassavetes, at the French-American
Film Workshop, printed in the Sixth Annual Program. Avignon, France,
July, 1989.
----. The Films of John Cassavetes. Souvenir program and screening
notes to accompany the national tour of twelve John Cassavetes films (including
Mikey and Nicky), organized by the Walker Art Center (Minneapolis) and
the Pacific Film Archive (Berkeley), touring to fifteen cities between
September 1989 and October 1990. 8 pages (program), 88 pages (screening
notes).
----. "The Energizing Spirit," and brief film notes about the
films of John Cassavetes, published in the Harvard Film Archive Bulletin,
September-October 1989, pp. 2-4.
----. "Learning from John Cassavetes," Switch magazine
(Tokyo, Japan) for their special issue on the life and work of John Cassavetes,
Special Issue #3, January 1990
----.An interview with Ray Carney, printed in the UCLA Film and Television
Archive Calendar, February/March 1990, pp. 4-5.
----. "The Adventure of
Insecurity: The Films of John Cassavetes," The Kenyon Review
13, no. 2 (Spring 1991), 102-21. (Co-recipient of the prize award for
"best essay of the year by an emerging writer.")
----. John Cassavetes:
Autoportraits,
Paris: Editions de ètoile/Cahiers du Cinema, 1992. (Translated into French
by Serge Grunberg from my manuscript. No English language publication.)
----. "The Road Not Taken:
A Polemical Introduction," and "Seven Program Notes for the
American Tour of the Complete Films: Faces, Husbands, Minnie and Moskowitz,
A Woman Under the Influence, The Killing of a Chinese Bookie, Opening
Night, and Love Streams," in "The John Cassavetes
Special Issue," edited by Ray Carney, in Post Script: Essays in
Film and the Humanities, Vol. 11, no. 2 (Winter 1992), pp. 1-12 and
37-100.
----."John Cassavetes:
Allegro con brio," in The Greek Influence on World Cinema,
the program of the Greek-American Film Festival, John Pyros, ed. (Tarpon
Springs, Florida: 1993), pp. 22-25.
----."Prophet Without
Honor," The Boston Phoenix, February 28, 1992, Section 3,
pp. 1,6.
----. "John Cassavetes on Life and Art," Visions Magazine
(Boston Center for the Arts), Number 7, Summer 1992, pp. 22-29.
----. "Ray Carney's Rules
of the Game," Visions Magazine (Boston Center for the Arts),
Number 10, Summer 1993, pp. 10-15 and 48-9.
----. The Films of John
Cassavetes: Pragmatism, Modernism and the Movies, New York: Cambridge
University Press, 1994, pp. 27-73. (Translated into Hungarian.)
----."Meanings in Motion,"
The Boston Book Review, Volume 1, number 2 (Winter 1994), p. 36.
----. "Escape Velocity:
Notes on Beat Film," "No Exit: John Cassavetes' Shadows,"
and "The Beat Movement in Film: A Comprehensive Screening List,"
in Lisa Phillips, ed. Beat Culture and the New America 1950-1965,
pp. 235-241. New York: Whitney Museum of American Art in association with
Flammarion, 1995, pp. 190-209; 210-213; 235-243.
----. Love on the Edge (A
Souvenir Program) containing program notes for Shadows, Faces,
Husbands, A Woman Under the Influence, and Opening Night. Organized
by Miramax Films to support the opening of Nick Cassavetes' She's
So Lovely,
touring to four cities in the United States, New York: Miramax Films,
1996, 26 pages.
----. "Two Forms of Cinematic
Modernism: Notes Towards a Pragmatic Aesthetic," In A Modern Mosaic:
Essays on Modernism in American Modernism, ed. Townsend Ludington,
Chapel Hill: University of North Carolina Press, 2000, pp. 385-435.
----. Laserdisc liner notes
and DVD-booklets to accompany the video releases of Cassavetes' A Woman
Under the Influence, Faces, Shadows, Opening Night, and The Killing
of a Chinese Bookie (Pioneer Special Projects/Pioneer Electronics),
1998-99.
----. John Cassavetes: The
Adventure of Insecurity (A Pocket Guide to the Films), Boston: Company
C Publishing, 2001, pp. 10-15.
----. Cassavetes on Cassavetes,
London and New York: Faber and Faber, 2001.
----. Shadows, London:
British Film Institute, and Berkeley, California: University of California
Press, 2001.
----. "A new experience?
Oh, no! Anything but that!"The Rediscovery of Cassavetes' Work,
The London Daily Telegraph, February 27, 2001.
----. "An interview with
Ray Carney by Jim McKay," Filmmaker Magazine, Fall 2001
----. "An interview with
Ray Carney by Jake Mahaffy," Cinemad Magazine, February 2002
----. "Art and Commerce:
An interview with Ray Carney by Diane Cherkerzian," (unpublished)
----. "Art, Life, Hollywood,
Independent Film, Critics, Professors, and How to Make a Fortune in Real
Estate: An Interview with Ray Carney by Shelley Friedman," published
in a shortened and edited form in MovieMaker in Summer and Fall
2002.
----. "Cassavetes and Rowlands
at the Virginia Film Festival: An interview with Ray Carney by Mary
Alice
Blackwell," The Daily Progress Newspaper (Charlottesville,
Virginia) October 2001.
----. "An interview with Ray
Carney by Cynthia Rockwell" posted on: NewEnglandFilm.com
----. Why Art Matters,
2001 (available on www.Cassavetes.com). Miscellaneous interviews and essays
by Ray Carney about Cassavetes and independent film.
----.Uncollected Essays
about John Cassavetes (available on www.Cassavetes.com). Essays by
Ray Carney about Cassavetes, including the prize-winning Kenyon Review
memorial piece.
----. John Cassavetes: Interviews
(University of Mississippi Press, forthcoming, 2003).
----. John Cassavetes: A
Life in Art. Two volumes, 2003 (available on www.Cassavetes.com).
----. Necessary Experiences,
2003 (available on www.Cassavetes.com). Miscellaneous interviews and essays
by Ray Carney about Cassavetes and independent film.
----. What's Wrong with
Film Study and Criticism ... and Everything Else, 2003 (available
on www.Cassavetes.com). Miscellaneous interviews and essays by Ray Carney
about Cassavetes and independent film.
----. The John Cassavetes
Pages (url: www.Cassavetes.com)a web site dedicated to John
Cassavetes, independent film, and other art, 1999-2003 and continuing.
A Bibliographical
Caution
Because of Cassavetes' tendency
to embellish the truth in interviews, the unreliability of the standard
film reference sources, and the gullibility of or casualness of many of
the writers who have written about Cassavetes' films, much of the writing
falls below normal standards of accuracy for professional research. The
reader is cautioned in particular that many books about Cassavetes, particularly
those published in French, are riddled with errors.
This section is created by
Alex
Cruikshank and Paul
Harrill.
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