This
is only the "To Print" page. To go to the regular page of Ray
Carney's www.Cassavetes.com
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About
Ray Carney
What critics and journalists have said
|
The Boston
Globe |
"In
a torrent of essays, articles, and interviews, Ray Carney has
established himself as one of America's most brilliant and
merciless critics of the American film establishment in all
of its crass commercialism--from the producers and directors
who package "star vehicles" to maximize profitability, to the
distributors and exhibitors who see to it that the same ten
titles play at every multiplex from coast to coast, to the
television, radio, and print journalists who...function as
mindless extensions of the studio ad campaigns. His sharpest
barbs, however, have been reserved for the academic critics
and university film programs that give Hollywood the sheen
of intellectual legitimacy by bringing its celebrities into
the classroom and its movies into the curriculum. We've heard
something similar from neoconservative image-phobes like Allan
Bloom, William Bennett, and Hilton Kramer, who equate the rise
of movies with the fall of Western civilization. What makes
Carney's critique entirely different is that his complaint
is not that professors take movies too seriously, but that
they don't take them seriously enough. In Carney's view, if
they really cared about the art of film, they wouldn't waste
time functioning as trash collectors in the pop culture ghetto." |
MovieMaker
Magazine |
"A
cinematic Ralph Nader, Noam Chomsky, and Marshall McLuhan rolled
into one, Ray Carney is a combination consumer advocate, media
scourge, and film visionary who pulls no punches in his attacks
on the American filmmaking establishment and the critics and
reviewers who support it.... taking Hollywood's sacred cash
cows to the slaughterhouse.... In a series of wide-ranging
lectures and interviews, he has tirelessly crusaded for off-Hollywood
films and filmmakers.... When he is not stumping for independent
film, Carney is a prolific writer. He is editor of the multivolume
Cambridge Film Classics, and the author of more than a hundred
essays and [twelve] books of his own.... His razor-sharp observations
and insight [in previous issues] had our readers buzzing for
months." |
Visions Magazine |
"Ray Carney is a
professional academic (a Professor of Film and American Studies
at Boston University and Director of the Film Studies Program);
a much sought after speaker at film festivals and on the lecture
circuit; an author; a teacher who inspires passionate devotion
among his students (a young man sitting outside his office
told me: "One course with him is a college education in itself.");
and a professional gadfly everywhere he goes. Over the past
ten years, in a series of articles in national magazines and
scholarly quarterlies, he has conducted many blistering attacks
on the film establishment. In person, I found him to be playful,
outrageous, deeply thoughtful, screamingly funny, and remarkably
inspiring." |
Stan Brakhage |
"You are brilliant
at showing the disaster that has fallen on the whole educational
system, with its gaga admiration of these emotional manipulators
and their little sob stories. You are the world's greatest
at puncturing the pomposity of the puff-pockets. What moves
me is not only that you nail the problem in such detail — but
that you then say what ought to be done. It's a catharsis
and a release to read you." |
Christos Tsiolkas, Senses
of Cinema |
"Ray Carney's
work on Cassavetes is an exemplary case of what the best
criticism can do. He has ensured that work too long ignored
and marginalized has been given new life. It is due to people
like Carney, to their personal and intellectual commitment
to championing Cassavetes' work that the director is finally
receiving his due. His is a labor of love, and it shows in
the writing."
|
Steven Schuldt |
"Reading Ray Carney's
writing about John Cassavetes is an experience akin to being
deprogrammed by a fascinating and gently persistent underground
revolutionary. Watching Cassavetes through the eyes of Carney
will completely rewire your brain. Be warned though. You
may not be entirely happy with the new wiring job. You will
never again be able to watch a film by someone like Lynch,
Allen, Tarantino or the Coens, without an incessant, blinking
'bullshit' light going off in your head."
|
FilmFestivalWorld.com's 2007 review of Ray Carney's web site |
"Truly independent filmmakers dare to explore things that really matter. They aren't worried about what worked last year, or trying to cash in on a successful formula, or thinking about what will play in Peoria, or what will make a lot of money. They do what artists in any other medium do - pose real questions about who we are, what matters in life, where are we headed, what our culture is doing to us. In short, they ask the same questions we ask ourselves. And then, amazingly, they do something we don't always do: try to answer them.
"Crazy? Narcissistic? Pigheaded? Wildly ambitious? Flawed? Foolish? Indie films can be all those things. But they're attempting to give us the news that really matters. The emotional news. News about what it is to be alive today. To quote Ezra Pound, the news that stays news."
-- Ray Carney as quoted by David Sterritt,
Film critic of The Christian Science Monitor from the January 28, 2005 edition
"Ray Carney is Professor of Film and American Studies at Boston University. He is the world's leading expert on the life and work of actor-writer-director John Cassavetes, often named as the father of the American independent film movement. Carney's twelve books include: The Films of Mike Leigh: Embracing the World (Cambridge University Press, 2000). American Vision: The Films of Frank Capra (Wesleyan University Press, 1996). Speaking the Language of Desire: The Films of Carl Dreyer (Cambridge University Press, 1989) and five books on the life and work of Cassavetes including his landmark work, Cassavetes on Cassavetes (Faber and Faber, 2001). Professor Carney has been a tireless advocate for cinema made outside the Hollywood system.
"Carney is also the General Editor of The Cambridge Film Classics. He has served as a consultant on film and American art for the Whitney Museum of American Art, the Museum of Modern Art, and National Public Radio. He is a charter member of the advisory board of the Boston Film Festival and is the founding presenter of the festival's annual "Independent Filmmaker" award. He has advised, programmed films for, and lectured at many dozens of national and international film festivals, including those at: Berlin, Rotterdam, San Francisco, San Sebastian, Sydney and at Sundance.
"New visitors seeking a quick introduction to Ray Carney's truly extraordinary website are recommended to go to the Mailbag. The Mailbag pages include comments about recent films and filmmakers, suggestions for dealing with filmmaking and distribution problems, and updates and reflections on a range of recent issues." -- Filmfestivalworld.com |
The
Films of Mike Leigh
|
|
American
Vision:
The Films of Frank Capra
|
|
Speaking
the Language of Desire:
The Films of Carl Dreyer
|
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Cassavetes
on Cassavetes
|
|
The
Films of John Cassavetes
|
|
Shadows
|
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American
Dreaming:
The Films of John Cassavetes and the American Experience
|
|
John
Cassavetes:
The Adventure of Insecurity
|
|
For a list of websites
with material by or about Ray Carney, click
here.
High-resolution JPG images of Prof. Carney
are available here.
This
is only the "To Print" page. To go to the regular page of Ray
Carney's www.Cassavetes.com
on which this text appears, click
here, or close this window if you accessed the "To Print"
page from the regular page. Once you have brought up the regular page,
you may use the menus to reach all of the other pages on the site. |