Citations
Reviews
• Recondite Harmony: Essays on Puccini’s Operas
• Pollaci, Marco. Review of Recondite Harmony, Lyrica: Opera e Dintorni, XIX/6 (2012): 26-27.
• Review on WQXR
• Tosca’s Prism
• Chattah, Juan. (2010) "Tosca’s Prism: Three Moments in Western Cultural History," Gamut: Online Journal of the Music Theory Society of the Mid-Atlantic: Vol. 3: Iss. 1, Article 9.
http://trace.tennessee.edu/gamut/vol3/iss1/9.
• Pastina, Daniela. “Review of Tosca’s Prism.” Journal of Modern Italian Studies, 10/4, 2005.
• “A classic tale of love, lust, jealousy, and politics.” Midwest Book Review (Oregon, WI USA) March 11, 2005. http://www.midwestbookreview.com/ibw/mar_05.htm#music
• Flynn, Timothy. “Tosca’s Prism: three Moments of Western Cultural History.” The
Opera Journal 39/4 (December 2006): 45-46.
Citations
• selected quotes from citations
• citations of dissertation: “An Analysis of Puccini’s Tosca: a heuristic approach to the unifying elements of the opera”
• Baragwanath, Nicholas. “Analytical Approaches to Melody in Selected Arias by Puccini.” Music Theory Online, 14/2 (June 2008).
http://www.mtosmt.org/issues/mto.08.14.2/mto.08.14.2.baragwanath.html
• Budden, Julian. Puccini: His Life and Works. Oxford: Oxford University Press, 2005.
• Chattah, Juan. "Tosca’s Prism: Three Moments in Western Cultural History," Gamut: Online Journal of the Music Theory Society of the Mid-Atlantic: 3/1, Article 9. (2010): http://trace.tennessee.edu/gamut/vol3/iss1/9.
• Conati, Marcello. “Guide-Themes and Reminiscences in Tosca.” In Tosca's prism: three
moments of western cultural history, edited by Deborah Burton, Susan Vandiver Nicassio,
Agostino Ziino, 167-182.
• Davis, Andrew. Il Trittico, Turandot, and Puccini's Late Style. (Bloomington: Indiana University Press, 2010).
• Fairtile, Linda. Giacomo Puccini: A Guide to Research (New York: Garland, 1999).
• Greenwald, Helen M. “Giacomo Puccini: A Guide to Research.” Notes, 1999. [review]
• Gillio, Pier Giuseppe. “New Sources for the History of the Libretto,” Tosca's prism:
three moments of western cultural history, Eds. Deborah Burton, Susan Vandiver Nicassio,
Agostino Ziino, 183-220.
• Girardi, Michele. Giacomo Puccini: L’arte internazionale di un musicista italiano. Venice: Marsilio, 1995. English translation with some revisions: Puccini: his Internatonal Art, trans. Laura
Basini, Chicago: Chicago University Press, 2000.
• Greenwald, Helen M. “Recent Puccini Research.” Acta Musicologica 65/1 (Jan. - Jun., 1993), 23-50.
• Greenwald, Helen M. “Puccini, Il tabarro, and the Dilemma of Operatic Transposition.” Journal of the American Musicological Society, 51/3 (Autumn, 1998), 521-558.
• Nicassio, Susan V. Tosca’s Rome (Chicago: University of Chicago Press, 1999).
• Phillips-Matz, Mary Jane. Puccini: a biography. Boston: Northeastern University Press, 2002.
• Wilson, Alexandra. “Tosca's Rome: The Play and the Opera in Historical Perspective by Susan Vandiver Nicassio.” Music & Letters Vol. 82, No. 1 (Feb., 2001), 131-133. [review].
• citations of articles/chapters:
• Baragwanath, Nicholas. The Italian Traditions & Puccini: Compositional Theory & Practice, Bloomington, IN: Indiana University Press, 2011. [“Michele Puccini’s Counterpont Treatise”]
• Budden, Julian. Puccini: His Life and Works. Oxford: Oxford University Press, 2005. [“Tristano, Tosca e Torchi”]
• Davis, Andrew. Il Trittico, Turandot, and Puccini's Late Style. Bloomington: Indiana University Press, 2010. [“Dawn at Dusk” (program notes for Turandot at the Forbidden City, Beijing, 1998), “A Journey of Discovery”]
• Fairtile, Linda. Giacomo Puccini: A Guide to Research (New York: Garland, 1999). [“A Select Bibliography,” “Michele Puccini’s Counterpont Treatise,” “The Real Scarpia,” “The Creation of Tosca”]
• Girardi, Michele. Giacomo Puccini: L’arte internazionale di un musicista italiano. Venice: Marsilio, 1995. English translation with some revisions: Puccini: his Internatonal Art, trans. Laura Basini, Chicago: Chicago University Press, 2000. [“The Creation of Tosca,” “The Real Scarpia”]
• Kleine-Ahlbrandt, William Laird. “Victorien Sardou and the Legend of Marengo.” In Tosca's Prism: three moments of western cultural history, edited by Deborah Burton, Susan Vandiver Nicassio, Agostino Ziino, 94-113. [“The Real Scarpia”]
• Phillips-Matz, Mary Jane. Puccini: a biography. Boston: Northeastern University Press, 2002. [“The Real Scarpia,” “The Creation of Tosca”]
• Ross, Alex. The New Yorker (29 October 2009) http://www.newyorker.com/online/blogs/alexross/2009/10/the-case-of-the-missing-candlesticks.html [“Tosca Act II and the Secret Identity of F-sharp”]
• Giorgio Sanguinetti. “Dramatic Functions of ‘Tonal Field’: the Second Duet ‘Carlo-Elisabeth’ in Verdi’s Don Carlo.” Essays from the Third International Schenker Symposium. Ed. Allan Cadwallader. Hildesheim: Olms, 2006: 81. [“Orfeo, Osmin, and Otello: towards a theory of opera analysis.”]
• Schickling, Dieter. “Fictional Reality: Literary and Musical Imagery in the Toscas of Sardou and Puccini.” In Tosca's prism: three moments of western cultural history, edited by Deborah Burton, Susan Vandiver Nicassio, Agostino Ziino, 121-134. [“The Real Scarpia” and “Possibili fonti storiche”]
• Opera Stanford: http://opera.stanford.edu/Puccini/Tosca/backgd.html [“The Real Scarpia”]
• citations of Tosca’s Prism
• Ross, Alex. The New Yorker, 29 October 2009. http://www.newyorker.com/online/blogs/alexross/2009/10/the-case-of-the-missing-candlesticks.html
• Marcia J. Citron, “The Operatics of Detachment: Tosca in the James Bond Film Quantum of Solace,” 19th-Century Music, 34/3 (Spring 2011): 316-340.
• Yoshida, Shinobu. “Modeling Heroines from Giacomo Puccini's Operas.” PhD diss.,University of Michigan, 2011.
• citations of The Theoretical-Practical Elements of Music
• Cohn, Richard. Audacious Euphony: Chromatic Harmony and the Triad's Second Nature. New York: Oxford University Press, 2012.
• citations of conferences
Fanciulla 100
• America Oggi, 5 December 2010). http://www.americaoggi.info/2010/12/05/21906-lirica-la-fanciulla-del-west-compie-cento-anni-tavola-rotonda-allistituto-di-cultur
• . Consulato Generale d’Italia, New York:
http://www.consnewyork.esteri.it/Consolato_NewYork/Archivio_News/News_150.htm
• I-Italy: http://www.i-italy.org/16267/puccini-s-100-year-old-girl
• Kellow, Brian. “On the Beat,” Opera News, 75/6 (December 2010) (also in the print edition)
http://www.operanews.com/operanews/templates/content.aspx?id=17734
• Metropolitan Opera:
http://www.metoperafamily.org/metopera/about/education/educatorguides/content.aspx?id=14570
• New York Times, 5 December, 2010. (also in the print edition)
http://www.nytimes.com/2010/12/05/arts/music/05fanciulla.html?emc=eta1
• Ross, Alex. “The Rest is Noise” Blog:
http://www.instantencore.com/buzz/item.aspx?FeedEntryId=116717
• . Corriere del Ticino (Switzerland) [print] Sachs, Harvey. “In festa per i cento anni della Fanciulla del West, 29 January 2011.
Tosca 2000
• Phillips-Matz, Mary Jane. Puccini: a biography. Boston: Northeastern University Press, 2002.
• Weaver. William. '”In Tosca, a Touch of Family History.” The New York Times, July 16, 2000. http://select.nytimes.com/gst/abstract.html?res=F60A11FA3B5C0C758DDDAE0894D8404482&scp=1&sq=In%20%27Tosca,%27%20a%20Touch%20of%20Family%20History&st=cse
• Rowan, Mia. “Opera News: Scholars, and Fans Plan a Fête for Tosca.” Italy, Italy XVIII/2 (2000): 48. http://www.italyitalymagazine.com [no longer active]
• Opera News (June 2000): 9.
• “Tosca: il Te Deum di nonno Puccini a Roma.” La Nazione [Florence], 27 June
2000.
• . “Tosca 2000 convegno Italia-USA a Roma.” L’Opera, July-August 2000: n.p.
• “Si conclude oggi all’Opera il convegno Tosca 2000.” Il Messaggero 18 June 2000.
• “Mandelli dice la Sua.” L’Opera, September 2000: 120.
• . “Un Convegno sulla Tosca con film rari.” La Padania 18 June 2000: 13.
• “Successo a Roma del Te Deum.” Il Terreno [Lucca]: 4 July 2000: n.p.
• lectures
• http://www.meetup.com/Boston-Culture-Club/events/17878651/
Interviews
• Christian Science Monitor:
http://www.csmonitor.com/The-Culture/Music/2010/0426/Richard-Wagner-He-broke-the-rules-and-inspired-generations-to-come
Other
• email from Susan McClary (MacArthur Fellow and Professor, UCLA), 11/5/09, in regard to monograph Recondite Harmony: the Operas of Puccini:
“Dear Deborah:
“I just read your introduction, and I'm dying to read the book itself. This is an extraordinarily important topic, and you have laid it out with great generosity and sophistication. [...] Your introduction is a breath of fresh air!
Best wishes,
Susan
Susan McClary
Distinguished Professor of Music
Associate Vice-Provost, UCLA International Institute”
• emails from professors at Temple University and UMass-Amherst, regarding Opera and Society podcasts:
On Sep 17, 2008, at 12:51 PM, Edward Latham's e-mail wrote:
Deborah,
Thanks for putting these up; I enjoyed watching your lecture on Figaro. Podcasts like these are a great resource for grad students looking to get a sense of what conference presentations are like, in terms of format, pacing, etc.
Best,
Dr. Ted Latham
Temple University
On Sep 19, 2008, at 11:15 AM, rschultz@music.umass.edu wrote:
Dear Deborah,
Thanks so much for posting this--I've forwarded it to all the students in my Opera course here at UMass, so I hope they'll be making good use of it.
All the Best,
Rob Schultz