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A note from Ray Carney about the material that follows: Ralph Waldo Emerson is one of the two greatest American philosophers. (William James is the other.) His essays and journals constitute some of the deepest reflections ever written on the meaning of life and art. (D.H. Lawrence's criticism, as reprinted in the volumes Phoenix and Phoenix II, comes in a close second.) If there were space on these pages, I would reprint all of Emerson's major work for the benefit of artists: "The Divinity School Address," "The American Scholar," "Nature" (the so-called second nature essay, the shorter of the two essays with that title), "The Method of Nature," "The Transcendentalist," "Self-Reliance," "Experience," "The Poet," "Fate," "Power," "Montaigne, or the Skeptic," many other essays, and selections from Emerson's journals, in addition to the essay below. But since all of Emerson's work is widely available in inexpensive editions, both in bookstores and in libraries (break down and get a book, don't try to read it on the stupid Internet!), the following essay, "Circles," will have to suffice to give a taste of his work to those unfamiliar with it. To artists and critics: Read what Emerson has to say about the nature of experience, art, and the imagination. His insights are deep. They are worth pondering. Learn from his insights. Keep them in mind as you do your own work. Stand on his shoulders. Keep your work true to the real nature of life in the ways he suggests below. Fare onward, voyager! -- R.C. Circles by Ralph Waldo Emerson The eye is the first circle; the horizon which it forms is the second; and throughout nature this primary picture is repeated without end. It is the highest emblem in the cipher of the world. St. Augustine described the nature of God as a circle whose centre was everywhere and its circumference nowhere. We are all our lifetime reading the copious sense of this first of forms. One moral we have already deduced in considering the circular or compensatory character of every human action. Another analogy we shall now trace, that every action admits of being outdone. Our life is an apprenticeship to the truth that around every circle another can be drawn; that there is no end in nature, but every end is a beginning; that there is always another dawn risen on mid-noon, and under every deep a lower deep opens.This fact, as far as it symbolizes the moral fact of the Unattainable, the flying Perfect, around which the hands of man can never meet, at once the inspirer and the condemner of every success, may conveniently serve us to connect many illustrations of human power in every department. There are no fixtures in nature. The universe is fluid and volatile. Permanence is but a word of degrees. Our globe seen by God is a transparent law, not a mass of facts. The law dissolves the fact and holds it fluid. Our culture is the predominance of an idea which draws after it all this train of cities and institutions. Let us rise into another idea; they will disappear. The Greek sculpture is all melted away, as if it had been statues of ice: here and there a solitary figure or fragment remaining, as we see flecks and scraps of snow left in cold dells and mountain clefts in June and July. For the genius that created it creates now somewhat else. The Greek letters last a little longer, but are already passing under the same sentence and tumbling into the inevitable pit which the creation of new thought opens for all that is old. The new continents are built out of the ruins of an old planet; the new races fed out of the decomposition of the foregoing. New arts destroy the old. See the investment of capital in aqueducts, made useless by hydraulics; fortifications, by gunpowder; roads and canals, by railways; sails, by steam; steam, by electricity. The key to every man is his thought. Sturdy and defying though he look, he has a helm which he obeys, which is the idea after which all his facts are classified. He can only be reformed by showing him a new idea which commands his own. The life of man is a self-evolving circle, which, from a ring imperceptibly small, rushes on all sides outwards to new and larger circles, and that without end. The extent to which this generation of circles, wheel without wheel, will go, depends on the force or truth of the individual soul. For it is the inert effort of each thought, having formed itself into a circular wave of circumstance, as for instance an empire, rules of an art, a local usage, a religious rite, to heap itself on that ridge and to solidify and hem in the life. But if the soul is quick and strong it bursts over that boundary on all sides and expands another orbit on the great deep, which also runs up into a high wave, with attempt again to stop and to bind. But the heart refuses to be imprisoned; in its first and narrowest pulses it already tends outward with a vast force and to immense and innumerable expansions. Every ultimate fact is only the first of a new series. Every general law only a particular fact of some more general law presently to disclose itself. There is no outside, no inclosing wall, no circumference to us. The man finishes his story, - how good! how final! how it puts a new face on all things! He fills the sky. Lo, on the other side rises also a man and draws a circle around the circle we had just pronounced the outline of the sphere. Then already is our first speaker not man, but only a first speaker. His only redress is forthwith to draw a circle outside of his antagonist. And so men do by themselves. The result of to-day, which haunts the mind and cannot be escaped, will presently be abridged into a word, and the principle that seemed to explain nature will itself be included as one example of a bolder generalization. In the thought of to-morrow there is a power to upheave all thy creed, all the creeds, all the literatures of the nations, and marshall thee to a heaven which no epic dream has yet depicted. Every man is not so much a workman in the world as he is a suggestion of that he should be. Men walk as prophecies of the next age. (Continued in Part 2, available via the menus at the top and bottom of the original page.) |
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