James A. Winn

Scholar:

Publication of Queen Anne:
Patroness of Art
s:   1 July, 2014

Selected reviews:

The Independent (London)
The Wall Street Journal

The Times Literary Supplement

Eighteenth-Century Life

Video interviews:
Three short clips produced by
Oxford University Press:

1. On Anne’s interest and training in the arts
2. Historical methodology
3. The mechanics of royal       patronage

Full-length interview produced by faculti.net

Queen Anne

On teaching Pride and Prejudice


The Poetry of War
(Cambridge, 2008)

Interview on NPR’s “On Point”

Opinion pieces:

The Humanities Institute as the
Play within the Play (2011)

Academic Profile 
Curriculum Vitae

Poem of the month:

Friendship

A last Roman dawn
glazes the windows,
like the isinglass
of his incomprehension.
Never to know someone,
in spite of many tries—

The cool odor
before the morning’s heat,
of crushed herbs, mint,
dust and water;
the fountain’s clatter
not awakened yet;

the new day
a faint blush in the east:
these things I know at least,
and how profoundly
the Palazzo Farnese
and its triple arch are lost

in darkness still,
while the towers of Trinità dei Monti,
are lit, slender and gray,
on the Pincian Hill,
and in the middle
distance, the Chiesa Nuova

offers its massive pediment
—like a geometer’s proof
of how he stood aloof,
always, from my intent,
protecting the integument
of a vulnerable self,

a sacred perimeter, really,
he would let no one cross,
behind which his ideas
kept him always company,
a golden empery,
a beautiful fastness.

I waited so long with
that leopard-colored gaze,
and carefully parsed replies
from that smiling mouth,
as if the slightest breath
intended more or less.

The Messaggero sign
glowed blue all night,
and yet I never got
the message, if there was one.
I waited alone,
and now it is too late.

The lantern on the dome
of Sant’Andrea will gather
light in its vessel of alabaster:
come, morning come.
It is time for me to go home.
Lead, heavenly light of my failure.



                     —Karl Kirchwey


      

 Flutist:

Next public performances: Sunday, June 4, Longhorn Village, Austin, Texas.

Wednesday, June 7, Methodist Hospital, Houston, Texas.

Both with Robert Freeman, piano. Works of J.S. Bach, Paul Hindemith, Walter Piston, and Aaron Copland.

Musical selection of the month:

Vincent Persichetti, Serenade for Flute and Harp, with Franziska Huhn, harp.

 

 Musical Profile

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    Background image: Anne Killigrew,
    Venus Adorned by the Graces, c. 1684    

     

     
     
     

     

    17 May 2017