// JScript source code function getmytext(x) { if (x == 'fa') { var html = "Fake Independence and Reel Truth—The Miramaxing of the indie movement"; return html; } if (x == 'di') { var html = "A Chilly View of Hollywood—The difference between kitsch and art"; return html; } if (x == 'ru') { var html = "The Rules of the Game—How journalists, the AFI, and the Sundance Institute collaborate with the culture of publicity to promote fake art"; return html; } if (x == 'op') { var html = "How (and How Not) to Do It—An open letter to the next generation of American filmmakers "; return html; } if (x == 'p1') { var html = "Hope for the future: The Path of the Artist—Suggestions for young filmmakers, Part I"; return html; } if (x == 'p2') { var html = "Hope for the future: The Path of the Artist—Suggestions for young filmmakers, Part II"; return html; } if (x == 'p3') { var html = "Hope for the future: The Path of the Artist—Suggestions for young filmmakers, Part III"; return html; } if (x == 'br') { var html = "Challenging Understandings—An essay about Charles Burnett's To Sleep with Anger"; return html; } if (x == 'ra') { var html = "The best kept secret in independent film—Mark Rappaport. Snapshots of the man wearing the mask"; return html; } if (x == 'so') { var html ="The legacy of Robert Altman. Thoughts about the 'dark vision' of Todd Solondz, Neil LaBute, Sam Mendes, and Paul Thomas Anderson"; return html; } if (x == 'ac') { var html ="The difference between a career and a life—Flim school as preparation for working in a factory"; return html; } if (x == 'al') { var html ="At the 'other' movies—a lecture to students and a viewing list"; return html; } if (x == 'bu') { var html ="Information about how to obtain packets of essays and interviews with Ray Carney that discuss American independent film"; return html; } }