// JScript source code
function getmytext(x) {
if (x == 'hy') {
var html = "The world's most over-rated movies—Star Wars, Citizen Kane, Schindler's List—the immaturity of value judgment in film criticism";
return html;
}
if (x == 'ho') {
var html = "There's no business like show business—Let's take movies out of the curriculum and treat them like the business deals they are";
return html;
}
if (x == 'mu') {
var html = "Scattershots on multicultural unawareness—confusing a film's importance with its subject matter";
return html;
}
if (x == 'le') {
var html = "The subjectivization of experience—when being replaces of doing—Mike Leigh's lesson for Hollywood";
return html;
}
if (x == 'al') {
var html = "Modernism for the millions—The escapist idealizations of Woody Allen's work";
return html;
}
if (x == 'n1') {
var html = "Writing in the Dark—Why reviewers should never be confused with critics—the distortion of film history by Kael, Canby, Kauffmann, and others";
return html;
}
if (x == 'n2') {
var html = "They never grew up—the pop culture frivolousness of American film reviewing—David Denby, Elvis Mitchell, and A.O. Scott";
return html;
}
if (x == 'ff') {
var html = "The difference between fake and real emotions in life and in art";
return html;
}
if (x == 'fa') {
var html = "Thoughts on America's culture of commercialism, celebrity, and fashion";
return html;
}
if (x == 'me') {
var html ="What's wrong with the media? Why is the writing on art so banal, so trivial, so bad?";
return html;
}
if (x == 'ab') {
var html ="What are Cassavetes' films about? —Not love, romance, or sentimentality";
return html;
}
if (x == 're') {
var html ="Reviews and responses to Ray Carney's The Films of John Cassavetes: Pragmatism, Modernism, and the Movies";
return html;
}
if (x == 'bu') {
var html ="Information about how to obtain packets of essays and interviews with Ray Carney that discuss American independent film";
return html;
}
}