// JScript source code function getmytext(x) { if (x == 'cf1') { var html = "The limitations of ideological approaches to art—excerpts from a review of The Johns Hopkins Guide to Literary Theory"; return html; } if (x == 'cf2') { var html = "The limitations of political approaches to art—excerpts from a review of David James's Allegories of Cinema"; return html; } if (x == 'at1') { var html = "The limitations of treating art as a form of rhetoric instead of as a form of truth—the example of Mike Leigh"; return html; } if (x == 'at2') { var html = "The limitations of treating art as a form of rhetoric instead of as a form of truth—the example of Cassavetes"; return html; } if (x == 'ak') { var html = "Art as a way of knowing—the example of Thomas Eakins"; return html; } if (x == 'cs1') { var html = "An interview with Ray Carney about the limitations of Cultural Studies understandings of art"; return html; } if (x == 'cs2') { var html = "More about the limitations of Cultural Studies understandings of art—one more glance at David James's work"; return html; } if (x == 'cf') { var html = "An interview with Ray Carney about teaching art as a way of knowing, and an essay about how Cassavetes' work violated critical fashions"; return html; } if (x == 'ab') { var html = "Art and Abstraction—nonconceptual, nonintellectual relations to experience—the limits of metaphoric forms of knowledge"; return html; } if (x == 'ex') { var html ="Art as experience—the limitations of viewing art as a form of knowledge"; return html; } if (x == 'mo') { var html ="Two forms of cinematic modernism—idealist and pragmatic"; return html; } if (x == 'bd') { var html ="The difference between visionary and pragmatic forms of expression in the work of Mike Leigh"; return html; } if (x == 'bu') { var html ="Information about Ray Carney's writing on American film, thought, and culture"; return html; } }